The origin of the classic false beat has to do with the entire
termination. If the string at some frequency in at any given direction
of oscillation meets a termination which either lengthens or shortens
the strings effective length in that direction then a false beat will
occur. Loose pins in themselves can be demonstrably independent of the
occurrence false beats that the picture is most certainly a bit more
complicated.
That said, the application of CA is likewise most certainly very
effective in dealing with the classic false beat. So don't hesitate to
use it appropriately.
As far as other particular causes you allude to at the end of your
post. Anything that can cause the termination to behave as mentioned
above will result in a false beat. There is a particularly interesting
analogy in an early PTG Journal article by Jim Ellis that deals with the
basic physics involved. Its been posted several times the last couple
years so a search of the archives will no doubt reveal the date for you.
Cheers
RicB
Hi list,
Regarding some of the recent submissions about applying CA glue to the
bridge pin to eliminate false beats, I was wondering if this treatment
could be compared to applying CA glue to tuning pins? It seems that
from reading some calls and responses that this may be oversimplifying
the physics of the bridge/pin, but is an origin of false beats loose
bridge pins? Also, are bridge pin holes drilled to a specific depth
to accept the whole length of the pin or are they drilled like tuning
pin holes, allowing space at the bottom.? I've been very, very curious
to understand the origin of false beats and how to deal with them
certainly.
Thanks in advance for any input,
Joe Wiencek, RPT
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