On Jul 12, 2008, at 4:44 PM, Fred Sturm wrote: > BTW, I made each spoke a little longer than the last (the one in the > middle is shortest) so that the piano will "tilt/walk upward" more > or less onto the dollie. Kind of like what I think Paul WIlliams was > describing with a ramp and the horse. Re-reading this, I see it might not be clear. By "middle" spoke, I mean the one that is at right angles to the top member. Then each successive one toward the bass is a bit longer. Regards, Fred Sturm University of New Mexico fssturm at unm.edu
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