Hi Keith and Fred, It has been interesting to read what both of you have said. I will say this, I feel that one should not be tuning pianos without being able to tune aurally proficiantly. I use an ETD but was trained to tune aurally first. When I tune, the ETD is used along with the ear. No matter how good the ETDs are, they still cannot tell what will be a really great tuning. I was helping someone with their tuning and he was making good progress until he got a SAT lll. From there on it was look at only the machine and his tunings went downhill. No matter what I told him, he kept insisting that his tuning was better and yet people that he tuned for before did not want him to tune for them anymore. There are times when I will go with aural only to make sure that my ear is still good and not getting machine lazy. I still think that the best tunings are the ones where a tech uses both the ETD and aural tuning. The final judgment should always be with the ear. Bill Balmer,RPT University of Findlay and Ohio Northern University -----Original Message----- From: Keith Kopp <keith_kopp at byu.edu> To: College and University Technicians <caut at ptg.org> Sent: Wed, 12 Mar 2008 1:03 pm Subject: Re: [CAUT] electronic tuning device preference? Fred, I have not argument with all you said. I also like your amendment to my conclusion: "One shouldn't rely blindly (or perhaps "deafly" is a better word) on any tuning generated by any ETD. One should use one's ear and one's brain to decide how to tune. The best of all worlds is where someone with knowledge and experience of aural techniques and theory acquires knowledge and experience with an ETD and uses the sum of that knowledge and experience to tune." In fact, I already have pasted it into my document. I hope you are okay with that. Keith -----Original Message----- From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Fred Sturm Sent: Tuesday, March 11, 2008 5:39 PM To: College and University Technicians Subject: Re: [CAUT] electronic tuning device preference? Hi Keith, Your anecdote about an SAT versus a master tuning is interesting. It does, however, make an assumption: that the master tuning is perfect standard. In fact, it is merely what a committee decided was the best they could achieve in a reasonable period of time, in whatever state of freshness or exhaustion they may have found themselves (leaving aside personality issues, where one person may dominate/lead others, etc). One could put the shoe on the other foot and say that the master tuning scored 88% against the SAT. Which is correct? Well, we don't know, and have no way of knowing. We (the examiner community) are forbidden to use an ETD to analyze and change a master tuning. So, unless we work on our own outside the system, we have no data. I know that, as a staunch aural purist who only bought an SAT to give exams, I spent a good deal of time during my first months with the devilish machine, arguing with it. I would do some very careful aural tuning, then check with the device. I soon discovered that I had to admit that, more often than not, changes the SAT said I should made actually were improvements. There were exceptions, particularly where you change partials, or at inharmonic breaks. At the breaks, I found that, though I could make what I could argue were improvements, often they were improvements of one thing causing deterioration somewhere else. My conclusion after over ten years using ETDs is that: 1 Even the very best ETD generated tuning can be improved somewhat using aural means. 2 Even the very best aural tuning can be improved somewhat using measurement and mathematics. 3 None, absolutely none, zero of my customers will be able to tell the difference when I have made those improvements. 4 OTOH, many, many of my customers will hear and complain about any unisons which are approaching the 1.0 cent RPT standard. Bottom line: I can't entirely agree with your statement that "I trust this additional insight confirms that a tuning device can be used as a tool to help a technician achieve a good tuning but should not be relied upon as a replacement for a fine aural tuning." I would amend it to say that "One shouldn't rely blindly (or perhaps "deafly" is a better word) on any tuning generated by any ETD. One should use one's ear and one's brain to decide how to tune. The best of all worlds is where someone with knowledge and experience of aural techniques and theory acquires knowledge and experience with an ETD and uses the sum of that knowledge and experience to tune." Regards, Fred Sturm University of New Mexico fssturm at unm.edu On Mar 11, 2008, at 3:10 PM, Keith Kopp wrote: > John and all, > > To help me answer this question put to me on several occasions and > in anticipation of more to come, I did a non-scientific study on > four ETD devises. The results are attached. > > Keith Kopp > Brigham Young University > > -----Original Message----- > From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf > Of John Minor > Sent: Monday, March 10, 2008 12:32 PM > To: caut > Subject: [CAUT] electronic tuning device preference? > > Just curious what ETD others prefer. I'm considering making a > purchase soon. > > Thanks. > > John Minor > University of Illinois > <ETD.doc><ETD follow-up.doc>
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