Is it possible that only practicing on one brand of piano results in performers who only know how to play that brand of piano, and so, believe that it is the only best piano for performance? Kinda like knowing that English is the language everybody else should learn to speak? ES Kendall wrote: > > Only practicing on one kind of piano, or one brand, severely limits the > pianist in his ability to be able to cope with a number of different > pianos > in diverse venues and performance situations. >
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