Instrumentation?
Lute and harpsichord together?
It will take a very clever lutenist to approximate meantone, though it can sometimes be done.
And most modern recorders are tuned in ET.
I think it would be wonderful to find an ensemble willing to really work on these problems.
es
----- Original Message -----
From: Fred Sturm
To: caut at ptg.org
Sent: Monday, November 30, 2009 12:42 PM
Subject: Re: [CAUT] historic temp thoughts
Standard tuning for that time and place would definitely be 1/4 comma mean tone.
Regards,
Fred Sturm
University of New Mexico
fssturm at unm.edu
On Nov 30, 2009, at 7:50 AM, G Cousins wrote:
Gang,
One of our groups is performing a concert of "New" Italian music from late 16th and early17th centuries.
Traditional instruments are being used. Viola da Gamba, Lute, Archlute, Recorder(s), Harpsichord continuo.
I'm open to your thoughts on appropriate temperaments as this is looking to be lots of fun for all.
Thanks in advance,
Gerry Cousins
WCUPA
Program
Sinfonia Seconda à 4 con 2 Bassi.................. Johannes Kapsperger (1580 - 1651)
Dolcissimo sospiro................................................... Giulio Caccini (1551 – 1618)
Gagliarda quarta........................................................... Anon. Neapolitan ca. 1620
Gagliarda quinta............................................................ Anon Neapolitan ca. 1620
Non più Guerra.......................................................................................... Caccini
Con sorrisi cortesi......................................................... Jacopo Peri (1561 – 1633)
Amarilli mia bella....................................................................................... Cacinni
Canzona la Francese............................ Giovanni da Macque (ca. 1548/50 - 1614)
Intenerite voi, lacrime mie................................................................................ Peri
Canzona V (solo instrument and basso seguente) Giovanni Gabrieli (ca.1555 – 1612)
Canzona quarta.......................................................................................... Gabrieli
Lamento della Ninfa........................................ Claudio Monteverdi (1567 – 1643)
Ben può chi vuol’à Re giugner appreso................................................ Kapsperger
Occhi gratie d’Amore........................................................................... Kapsperger
Ballo Secondo: Uscita.......................................................................... Kapsperger
Ballo Secondo: Ballo............................................................................ Kapsperger
Corrente Terza...................................................................................... Kapsperger
Veri diletti............................................................................................ Kapsperger
Alma Redemptoris Mater........................ Giovanni Felice Sances (c. 1600 – 1679)
Jubliate Deo................................................... Giovanni Gabrieli (ca.1555 – 1612)
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