All due respect Ed but how could that possibly be true? Casals is referring to the fact that there are no just intervals in the piano and that everything is tuned slightly out of tune-the diabolical instrument as it is often referred to. That is true whether it's ET or UET. In fact one could argue that the degree of "out-of-tuneness" is greater with UET than ET. The fourths and fifths have a wider variation as do the thirds and sixths. But either way, intonation problems for those sensitive to pure intervals are not resolved by WT especially in the outer keys where intonation problems are worse. David Love www.davidlovepianos.com " Casals is adamant about intonation. He has had his pupils repeat passages until there is absolute accuracy of intonation. To a pupil playing a sonata with piano, he recommends, "do not be afraid to be out of tune with the piano. It is the piano that is out of tune. The piano with its tempered scale is a compromise in intonation." I don't think Casals was referring to anything but ET when he said that, so where may we go from here? I have found the WT approach to reduce the intonation problems, not create them Regards, Ed Foote RPT -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/caut.php/attachments/20100426/e7ef771f/attachment-0001.htm>
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