Jim B., Only if by that you mean, you want it to sound however it ends up sounding. My experience with S&S is that what you get from NY Steinway is all over the map tonally. Currently I do work for the local dealer, and the one thing that remains consistent with every new S&S we get is that they all sound and play different. Getting "the sound" - whatever your idea of that may be - remains up to the technician. We recently had two "B's" that could not have been more different tonally (with some less dramatic differences in geometry and playability). One was bright, bordering on strident, the other VERY mellow, very fundamental. Yes, I know, that's why they are so great - 'cause each one is so unique (or inconsistent, depending upon your perspective). But, I don't believe one can argue that this variability is what makes them so great, while in the same breath suggest that the "unique" S&S sound is only attainable by going through S&S NY. And, having heard a few of Dale's, I would suggest that his rebuilds have sounded like SOME of the NY Steinway's I've experienced. Jim Mc.: As Ron N. said, "Sounds to me like a rebuilder that doesn't replace soundboards, no matter how lousy they sound. Best start shopping for better sources of advice." William R. Monroe On Mon, Feb 14, 2011 at 3:01 PM, Jim Busby <jim_busby at byu.edu> wrote: > Dale, > > > > Do you think Brent would be correct if he was to say “send it to Steinway > if you want it to sound like a NY Steinway.” Your pianos certainly don’t > sound like a NY Steinway (thank goodness!) > > > > Jim > > > > * > * > -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/caut.php/attachments/20110214/511aae61/attachment-0001.htm>
This PTG archive page provided courtesy of Moy Piano Service, LLC