[CAUT] Prepared pianos

Kent Swafford kswafford at gmail.com
Mon Jan 31 11:27:19 MST 2011


As your faculty person referenced, there are a number of inside-the-piano techniques that are not "prepared piano". I have taken to using the term "Inside-the-piano techniques" as the generic term that includes preparation. To me, your last sentence doesn't make sense because there are clearly potentially damaging inside-the-piano techniques that are not "prepared piano" as such.

Maybe stickers are unavoidable, but I prefer chalk where-ever possible.

You might specifically mention the Eder's video, "Non-Traditional Piano Use." Might even list a contact where it can be purchased.

This isn't a help to writing your policy, but I actually disagree that common sense will prevent damage. Performers are woefully unprepared to determine what will and will not damage pianos, and we might not even agree with them as to what constitutes damage. We might consider as damage something that they would never acknowledge as such. I would strongly recommend the video, and then state that good techniques won't cause damage and that pianists have the responsibility to learn those good techniques.

Kent Swafford


On Jan 31, 2011, at 11:37 AM, Jim Busby wrote:

> All,
>  
> One of our composition faculty wrote a rather long email blasting us because of our “Prepared Piano Policy” (Attached at the bottom) saying in part:
>  
> “…I have consulted with piano technicians and have read extensively on the subject, including Richard Bungers The Well-Prepared Piano, etc.  As a performer, inside piano and piano preparation has been somewhat of a specialty for me for more than twenty years… I know of no evidence that inside piano techniques damage pianos.  I have been doing these things with the pianos I have owned for many years and have never had a problem…”
>  
> Any help here??
>  
> Thanks!
> Jim Busby BYU
>  
> Prepared Piano Policy
> A “prepared piano” is a piano that has been modified with objects placed in it in a very special way as dictated by a composer of a “prepared piano” composition. This is a valid practice, but may only be done as prescribed below, and only on a piano designated by Piano Shop technicians and under their supervision:
> 1.   All structural changes to any piano must be approved by and, in most cases, performed by a Piano Shop technician. This includes removing the lid or other case parts and attaching anything to strings or soundboard to modify the sound.
> 2.   Marking strings. Small stickers may be used on dampers or agraffes to mark notes. Please purchase stickers that are easy to remove such as the small colored dots. Care must always be used when touching dampers as they are easily bent. Never use masking tape or any other adhesive that may leave a residue. The performer is responsible for removing any stickers immediately after any performance. There should be nothing applied directly to the strings. This includes white-out, tape, stickers, nail polish, etc. In some cases chalk may be used to mark steel strings but never the copper-wound bass strings.
> 3.   Striking and plucking strings. Strings may be struck or plucked with fingers or guitar pick. (Since oil from the skin can tarnish strings please wash hands well before touching any string.) Other devices must always be of a material that will not mar or scratch strings. On steel strings, only materials that are softer than the steel string may be used, such as brass or aluminum. Copper-wound bass strings must also be struck or plucked with a material softer than the copper. Acceptable material includes wood, plastic, rubber, etc. Piano Shop technicians are available to help the performer select materials that will not damage the piano. In some cases, literature calls for the insertion of screws or mutes between piano strings. Again, a material softer than the string must be used, such as brass or aluminum.
> 4.   Extreme volume. There is a fine line to be drawn between passionate musical expression and outright banging on a piano. Please use good judgment when playing above a forte. Harsh playing is damaging and will not be tolerated.
> 5.   Common sense. Most damage to pianos can easily be avoided by using good judgment. Please consult with the Piano Shop technician before using unconventional techniques. Usually, an alternative can be found to satisfy both the performer and this policy.
> Remember that a "prepared piano" is a special preparation required for a "prepared piano composition", and except for this unusual circumstance pianos should only be used in the "normal" way.
>  

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://ptg.org/pipermail/caut.php/attachments/20110131/368eb774/attachment.htm>


More information about the CAUT mailing list

This PTG archive page provided courtesy of Moy Piano Service, LLC