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Here's some info that came from Keith McGavery that I'd <br>
saved from a discussion about this quite a few years ago. <br><br>
Avery <br><br>
===========================================<br>
<blockquote type=cite class=cite cite><font size=3>...How long<br>
prior to the performance where these pianos tuned? Any idea what<br>
brand/model(s) these were?...<br><br>
Rob Goodale, RPT</blockquote><br>
Here's more of the story (condensed):<br><br>
Piano Technicians Journal<br>
September 1985, page 13<br>
Olympic Tuning Tests Technicians' Endurance<br>
Industry News<br><br>
+++++++++++++++++++++++++++++++++++++++++++<br>
Reuter was managing the placement of 84 Kimball grand pianos to be
featured<br>
in George Gershwin's "Rhapsody in Blue" performed during the
opening<br>
ceremony. "...Everyone--from our truck drivers who delivered
the pianos,<br>
to people who installed the grands, to technicians who faced a
potential<br>
nightmare--was up to the challenge." (Reuter)<br><br>
"...Once we had installed the 84 grands, we still had to final-tune
them.<br>
To do that, five tuners from the Los Angeles area who I had worked
with<br>
before were hired: Teri Powell, Bob Cloutier, Mark Wisner, Alan Slater
and<br>
Emily Goya," Ray said.<br><br>
Reuter and Powell arrived at 6AM...Reuter commented, "Teri and I
used the<br>
new Accu-Tuner, a computerized tuning mechanism, to tune one string
from<br>
bass to treble. We left the unison tuning for the others who were
to<br>
follow..."<br><br>
Two hours later, Cloutier, Wisner, Slater and Goya joined the pair
of<br>
technicians..."<br><br>
The pianos were kept under the Coliseum arches so few were exposed
to<br>
direct sunlight...each piano was covered with a space
blanket...<br><br>
After tuning via an "assembly line"...<br><br>
They tuned without a break until noon and counted about 40 ...pianos
behind<br>
them...It was almost 7PM when the last instrument was tuned as well
as<br>
conditions allowed...<br><br>
"After a week and a half of preparation--moving all those pianos
into the<br>
Coliseum, rehearsing for four days, plus a marathon tuning session--we
were<br>
exhausted, but I was pleased with a job well done." (Reuter)<br>
+++++++++++++++++++++++++++++++++++++++++++<br><br>
There is much more interesting information about what was going during
the<br>
day of tunings. A truly spectacular feat performed by some
incredible<br>
people. By the way all 84 pianos were blue!<br><br>
Keith McGavern<br><br>
</font><x-sigsep><p></x-sigsep>
______________________<br>
Avery Todd, RPT<br>
Moores School of Music<br>
University of Houston<br>
Houston, TX</body>
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