<HTML>
<HEAD>
<TITLE>Re: [CAUT] performance techniques</TITLE>
</HEAD>
<BODY>
<FONT FACE="Verdana, Helvetica, Arial"><SPAN STYLE='font-size:12.0px'>Wim,<=
BR>
<BR>
Looks like your prepared piano policy is almost word-for-word what I got fr=
om Jim Busby several months ago. Small world.<BR>
<BR>
Alan McCoy<BR>
<BR>
<BR>
<HR ALIGN=CENTER SIZE="3" WIDTH="95%"><B>From: </B><Wimblees@aol.com>=
<BR>
<B>Reply-To: </B>"College and University Technicians <caut@ptg.org&=
gt;" <caut@ptg.org><BR>
<B>Date: </B>Tue, 08 Mar 2005 15:00:54 -0500 (EST)<BR>
<B>To: </B><caut@ptg.org><BR>
<B>Subject: </B>Re: [CAUT] performance techniques<BR>
<BR>
</SPAN></FONT><SPAN STYLE='font-size:12.0px'><FONT FACE="Arial">Conrad<BR>
<BR>
There was a series of posts on this several years ago. Using the informatio=
n from several other CAUT's, I came up with the following policy. I have nev=
er used it, and I don't know if anyone besides me has it, but maybe you coul=
d put it in your information packet. <BR>
<BR>
Wim <BR>
<BR>
Policy Regarding Prepared Piano Use<BR>
Composing music for the prepared piano can be very rewarding. However, care=
must be taken that the instructions to the performer do not harm the perfor=
mer, and the piano. Therefore, please read the following with care prior to =
doing anything to the piano, other than opening it up, and playing it. <BR>
<BR>
1. All structural changes to any piano must be approved by and in most case=
s performed by the piano technician. This includes removing the lid or other=
case parts and attaching anything to strings or soundboard to modify the so=
und. <BR>
<BR>
2. Marking strings.<BR>
Small stickers may be used on dampers or agraffs to mark notes. Please purc=
hase stickers that are easy to remove such as the small colored dots. Care m=
ust always be used when touching dampers as they are easily bent. Never use =
masking tape or any other adhesive that may leave a residue. The performer i=
s responsible for removing any stickers immediately after any performance. T=
here should be nothing applied directly to the strings. This includes white-=
out, tape, stickers, nail polish, etc. In some cases chalk may be used to ma=
rk steel strings but never the copper wound bass strings.<BR>
<BR>
3. Striking and plucking strings.<BR>
Strings may be struck or plucked with fingers or guitar pick. Other devices=
must always be a material that will not mar or scratch strings. On steel st=
rings only materials that are softer than the steel string may be used, such=
as brass or aluminum. Copper wound bass strings must <BR>
also be struck or plucked with a material softer than the copper. Acceptabl=
e materials include wood, plastic, rubber, etc. Never use a steel chisel on =
piano strings. As the piano technician, I will be happy to help any performe=
r select materials that will not damage the piano.<BR>
<BR>
In some cases, literature calls for the insertion of screws or mutes betwee=
n piano strings. Again, a material softer than the string must be used, such=
as brass or aluminum. <BR>
<BR>
4. Extreme volume.<BR>
There is a fine line to be drawn between passionate musical expression and =
outright banging on a piano. Please use good judgment when playing above a f=
orte. Harsh playing is damaging and will not be tolerated.<BR>
<BR>
5. Common sense.<BR>
Most damage to our pianos can easily be avoided by using good judgment. Ple=
ase consult with the piano technician or piano faculty before using unconven=
tional techniques. Usually an alternative can be found to satisfy both the p=
erformer and this policy.<BR>
<BR>
Willem Blees RPT<BR>
Piano Tuner/Technician<BR>
School of Music<BR>
University of Alabama<BR>
</FONT><FONT FACE="Verdana, Helvetica, Arial"><BR>
</FONT></SPAN>
</BODY>
</HTML>