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<DIV>In a message dated 4/11/2004 9:13:11 AM Central Standard Time, claviers=
@nxs.net writes:</DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue =
2px solid"><FONT face=Arial>For what it's worth: Friction is very hi=
gh between strings and bridge<BR>pins. I have made measurements that i=
ndicate that it is necessary to<BR>change the pitch of the speaking length o=
f a string by 50 to 100 cents<BR>before it will move at the bridge. Th=
is means that no matter how hard you<BR>pound, you will NOT equalize the ten=
sion between speaking lengths and<BR>string tails. You will break some=
thing before you can pound hard enough to<BR>do that. What you WILL do=
is cause it to move if it is about ready to move<BR>anyway. </FONT></B=
LOCKQUOTE></DIV>
<DIV>Jim</DIV>
<DIV> </DIV>
<DIV>You're very knowledgeable about this, but something doesn't quite make =
sense. First, I want to know how the speaking length of a string c=
an be changed 100 cents before the string moves on the bridge? At A4, that i=
s a half step. I find it hard to believe a string can be raised, or lowered,=
a half a step without it moving over the bridge. </DIV>
<DIV> </DIV>
<DIV>Second, you say that with pounding, the string tension w=
ill not equalize between the speaking length and the tail section, =
;unless it is about ready to move anyway. Are you saying the tension be=
tween those two sections will equalize if I just played the note softly? The=
n how come the pitch does change when I pound, or worse, it changes when the=
artist is playing the piano loud?</DIV>
<DIV> </DIV>
<DIV>Wim </DIV></BODY></HTML>