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<DIV><FONT face=Arial size=2>Thanks for the interesting inside story Mark.
Having dealt with the recording industry myself I can appreciate the difference
between rumors, liner notes for marketing and reality. Glenn Gould was
quite a talent and a character and I'm sure he appreciated Ted Sambell's
steady competence. Has Ted taught at national conventions? If not, the
Institute Committee would do well to recruit him for teaching. If he has, bring
him back!</FONT></DIV>
<DIV><FONT face=Arial size=2> I wonder about the dip measurement. 19/64"
Let's see 3/8 is 24/64 so 19 that's not really the end of a shallow
(3/8) keydip. What it is I'm not exactly sure. With Steinway
though I think we are most used to thousandths so shallow is .390" and as I
remember from my youth they tried to hold pretty close to that although 390-410
was given as an acceptable of course today with 17/10 0r 11mm knuckles and
heavier hammers we are often hitting .420 and beyond. What year was that
piano maunfactured and anybody got specs on that? Chris
Solliday</FONT></DIV>
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=Cramer@brandonu.ca href="mailto:Cramer@brandonu.ca">Mark Cramer</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">CAUT</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, March 09, 2006 9:48
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> [CAUT] Ted Sambell / Glenn
Gould</DIV>
<DIV><BR></DIV>
<DIV class=Section1>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">Many
of us know and love Ted Sambell as a mentor, friend and colleague, as founder
of the piano technology course at George Brown College (now the program at
UWO) and longtime chief technician at the Banff Centre for the
Arts.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">What
some may not know, is that for many years Ted Sambell was Glenn Gould's
technician of choice. <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">Ted
first tuned for Glenn when the performer was just 18 years old. He also tuned
for him on one of the very last performances of his career, and entirely
throughout his performance years at the Stratford
Festival.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">And
Ted was in fact the technician flown to New York on several hours notice, the
evening before the recording of “Two and Three Part Inventions.
“<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">According
to Ted, CD318 was the instrument used, but prior to it being dropped and the
plate being replaced.<SPAN style="mso-spacerun: yes">
</SPAN><o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">I
was interested in the discussions Michelle prompted regarding this well-known
recording, but hesitant to chime in for Ted. <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">However,
as Ted spent the last week here with Cheryl and I on his way home from PNWC, I
thought I'd get him to refresh my memory regarding the facts of this
recording, and ask his blessing to share them, for your
interest:<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">Apparently
the demands Glenn was making regarding this piano were not quite as bizarre as
we imagine. <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">Ted
informed me the onset of escapement in CD318 was very abrupt. Steinway turned
out many actions like that during those years, and we've all experienced them:
attempting to control pianissimo, the escapement can actually halt key travel
mid-stroke!<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">So
rather than trying to emulate a harpsichord, Glenn simply couldn't tolerate
fighting the mechanism. He asked Ted to reduce key-dip until escapement was
pretty much at the end of keystroke. (Does 19/64" sound right? Sorry, I'm a
child of the metric system)<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">Anyhow,
as Ted points out, with the action back in the piano, he could've kept the
shallow dip and merely raised the hammer-line. But that brought the nasty bump
back into the keystroke, and Glenn couldn't accept
it.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">(If
you haven't worked with actions of this vintage, try holding a group of
hammers at rest while pressing on the keys, like a backcheck-clearance test.
Gently allow the hammers upward until the jacks can barely force their way out
from under the knuckle. The sensation at the key will give you an accurate
idea of what Gould was up against) <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">So
Ted made his recommendations, but Glenn rather enjoyed the bobbling effect,
commenting it sounded like "hiccups."<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">I
hesitate to say "and now you know the rest of the story..." For that, you
would have to contact Ted, and I'm sure he'd be delighted.
<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoBodyText><FONT face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt">Ultimately, when Glenn Gould retired from concert
life, his manager asked Ted if he would continue as Glenn's ongoing technician
in Toronto. In typical humility, Ted assessed the inconvenience his living in
London (Ont.) might pose, and offered a gracious recommendation of a Toronto
area technician instead.</SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">Sadly
we don't find mention of Ted in any of the fine books on Glenn Gould's life,
nor in the recording credits. What we do have though, is the man himself, and
any visit with Ted is sure to bring humble yet devoted anecdotes of this
remarkable artist/technician relationship to
light.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
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v:shapes="_x0000_s1026"><![endif]><FONT face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">For
technicians in Canada, Ted is our “national
treasure!”<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">Best
regards<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">Mark
Cramer,<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="mso-layout-grid-align: none"><FONT
face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'">Brandon
University<o:p></o:p></SPAN></FONT></P>
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face="Bookman Old Style" size=2><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Bookman Old Style'; mso-bidi-font-family: 'Courier New'"><![if !supportEmptyParas]><![endif]> <o:p></o:p></SPAN></FONT></P>
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<H1><B style="mso-bidi-font-weight: normal"><FONT face=Arial size=2><SPAN
style="FONT-SIZE: 10pt"><SPAN style="mso-bidi-font-size: 12.0pt">Ted, Cheryl
& Bluthner #105416</SPAN></SPAN></FONT></B></H1></DIV>
<P>
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<P></P>_______________________________________________<BR>caut list info:
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