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Hi, Eric,<br><br>
...Been there...Done that...your plan is just fine...harder to get it
back down than to get it up, as it were.<br><br>
Is there anything on the program that might be upset by that
tuning? And/or, is there anything that requires other
preparation? Depending on the condition of the Baldwin, it is in my
mind to suggest using an instrument with newish strings...returning to
"normal" pitch might be less treacherous.<br><br>
Best.<br><br>
Horace<br><br>
At 02:32 PM 3/22/2006, you wrote:<br><br>
<blockquote type=cite class=cite cite="">Hi All,<br><br>
I’ve just had a request to tune a piano ¼ tone sharp for a John Adams
piece for rehearsals and concert in the next weeks. Can anyone who has
done this before give me some idea of what I’m in for besides the
destabilization factor. I’m going to use a Baldwin M we usually let
people use for prepared piano stuff.<br><br>
Thanks,<br><br>
Eric<br><br>
<font color="#FF0000"><a></a>Eric Wolfley, RPT<br>
</font><br>
<font color="#FF0000">Head Piano Technician<br>
</font><br>
<font color="#FF0000">Cincinnati College-Conservatory of Music<br>
</font><br>
<font color="#FF0000">University of Cincinnati<br>
</font></blockquote></body>
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