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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Chris,<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Our head piano faculty frequently says “It’s
a Steinway world”, for the same reason you stated (95% of concert halls).
However, when left to pick their own practice room pianos many of the students
choose the Kawais. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Oberlin has 200 plus Steinways and they
claim that because of the “rebuildability” (is that a word?) of
Steinways over other pianos in general, and because of the continually appreciating
value of Steinways that they actually are money ahead by being an “All
S&S school”. Of course most of this is salesman hyperbole, but your
95% point is the clincher for Steinway. It is rare that any major performers
even ask to try out our Yamaha CF. They want the Steinways. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Jim Busby<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
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<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'>
caut-bounces@ptg.org [mailto:caut-bounces@ptg.org] <b><span style='font-weight:
bold'>On Behalf Of </span></b>Chris Solliday<br>
<b><span style='font-weight:bold'>Sent:</span></b> Thursday, March 30, 2006
5:25 PM<br>
<b><span style='font-weight:bold'>To:</span></b> <st1:PersonName w:st="on">College
and University Technicians</st1:PersonName><br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: [CAUT] Pianos for
piano performance majors</span></font><o:p></o:p></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'> Hey Jim, Since over 95% of all concerts are performed
on Steinways, oh maybe it's a little less, but certainly the great majority and
the "great majority" (new scientific data term) of performing artists
prefer Steinways, it only makes sense to practice on them as much as possible.
Does it help to broaden one's horizons by working and concertizing on different
instruments? Sure, but then there's reality, and that would be Steinways.
Any arguments?? this should be fun.</span></font><o:p></o:p></p>
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Chris Solliday</span></font><o:p></o:p></p>
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
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