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<DIV>In a message dated 3/31/2006 6:59:52 AM Central Standard Time,
hoffsoco@luther.edu writes:</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=2>I think
we would have great latitude in the choice of instruments but<BR>>frankly
the U118 has never been my favorite instrument either. When
I<BR>>think of the "All Steinway" designation the feeling I get is a
confined,<BR>>cramped one. I couldn't even fantasize about a Shigeru
Kawai EX or some<BR>>piano that another manufacturer introduces next year
because we'd be<BR>>contractually obligated to only the instruments of one
manufacturer. I<BR>>can't think of a reason to limit our options like
that. I might be a<BR>>little dull, but I can't figure out what we'd
gain for giving away all<BR>>those
options.<BR>><BR>>dp<BR>><BR>>David M.
Porritt<BR></FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
<DIV>DAve</DIV>
<DIV> </DIV>
<DIV>I think we should look at the designation of being an all Steinway school
as being beneficial to the school, rather than for our own desires. As Robin
pointed out, the perception the public has, especially serious music students
and their parents, is that a school that has all Steinways, or at least all
Steinway products, is a little better than a school that does not have that
distinction. Now, don't get me wrong, there are many excellent music schools
that have a variety of pianos. But I think the perception is there. </DIV>
<DIV> </DIV>
<DIV>Wim </DIV></FONT></BODY></HTML>