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<HTML><HEAD><TITLE>Re: [CAUT] Capstan Repositioning</TITLE>
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<DIV><FONT size=2>Mike,</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>What benefit would you get from more dip in the
bass? Or perhaps I should ask, in tapering dip from bass to treble,
in which octave would you have "normal" dip (.390)?</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>--Cy--</FONT></DIV>
<DIV><FONT size=2><STRONG>shuster</STRONG>piano.com</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=jorge1ml@mail.cmich.edu
href="mailto:jorge1ml@mail.cmich.edu">central</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">College and University Technicians</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, May 03, 2006 11:02
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [CAUT] Capstan
Repositioning</DIV>
<DIV><FONT size=2></FONT><BR></DIV><FONT
face="Verdana, Helvetica, Arial"><SPAN
style="FONT-SIZE: 12px">Ditto!<BR> I also would add
that a little deeper dip in the bass tapering to shallow is probably not a bad
thing from a pianists point of view. In most music, octaves or single
tones are used in the bass where dip is not such a factor. In the high
treble, runs, scales, complex figurations are more common, where dip is more a
factor.<BR>-Mike<BR></SPAN></FONT><FONT face="Verdana, Helvetica, Arial"><FONT
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