<html>
<body>
At 11:00 AM 12/18/2006, David Skolnik
<davidskolnik@optonline.net><br>
wrote:<br>
<blockquote type=cite class=cite cite="">
<blockquote type=cite class=cite cite="">Jon,<br><br>
You may be on to something here. So far I had two Steinways with
seemingly "intractable" checking problems - one B at San
Francisco State and one D in a client's home. Everything mentioned on
this list in this thread was tried (and a few more things too),
</blockquote><br>
<font color="#800080">Would you say what those more things
were?</font></blockquote><br>
I'll have to dig through the files in school for the B - it was the other
tech here who actually did the work. We did discuss it back and fort a
lot though.... On the D I played with the regulation an awful
lot...<br><br>
<br>
<blockquote type=cite class=cite cite="">
<blockquote type=cite class=cite cite="">and nothing seemed to work.
Replacing the backchecks with the Tokiwa- made old-style Steinway
backchecks (longer) cleared up all the problems on both pianos ($150/set,
Pianotek). It seems that on a lot of them the hammer tails are just too
short for the new style, shorter backchecks...<br><br>
Israel Stein</blockquote><br>
<font color="#800080">Israel - As with Wim - you also did not indicate
the manufacturing year of your pianos. </font></blockquote><br>
The D is 1999. The B has been rebuilt so many times with such a mishmash
of parts that the year of manufacture is basically irrelevant...<br><br>
<blockquote type=cite class=cite cite=""><font color="#800080"> It's
true that there was a period when the tails were extremely short, but
that's not too recent, in my experience. If it were only the height
of the checks in relation to the tails, why couldn't you simply raise the
backchecks? </font></blockquote><br>
How? Those Steinway backcheck wires are pressure fit on both ends - you
don't have threads on which you could "raise" the
backchecks...<br><br>
<blockquote type=cite class=cite cite=""><font color="#800080">As an
experiment, it falls short of completely explaining the issue, since
there are undoubtedly differences in a number of characteristics between
the two brands. Can you look at the two side by side and compare
them? </font></blockquote><br>
I did. The Tokiwa backchecks look just like the old Steinway backchecks -
both in length and in shape (longer and fatter/rounder at the top than
the current Steinway backcheck). See, I had an extra one floating around,
and so I put it on one of the worst-checking notes on the D - and presto,
all the problems went away. That's good enough for me. It was also good
enough for the client - he paid for the replacement of all of them, and
loves the results. And if Wim is willing - I'll be glad to send him one
of my 2 leftover Tokiwa backchecks to try out... And having prepped one
hell of a lot of Steinway grands at two Steinway dealers (Boston and San
Francisco) over the years, I'm really not interested in screwing around
with Steinway backchecks any more than I absolutely have to - they gave
me enough grey hairs already...<br><br>
Israel Stein<br><br>
</body>
<br>
</html>