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Lacquer on the hammers works quite well.<br><br>
YMMV<br>
Andrew Anderson<br><br>
At 04:47 AM 3/4/2007, you wrote:<br>
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Hello!<br>
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<font size=2 color="#0000FF">I was wondering, what is it that makes the
bass in some pianos (Steinway D's are usually good examples) sound
snarly? I mean those very pronounced ringing high partials at forte,
which some like and others find annoying.<br>
Soundboard construction? Strings? Anything else?<br>
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Calin Tantareanu<br>
<a href="http://calin.haos.ro/">http://calin.haos.ro</a><br>
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<dd><font face="Tahoma" size=2>From:</b> caut-bounces@ptg.org
[<a href="mailto:caut-bounces@ptg.org" eudora="autourl">
mailto:caut-bounces@ptg.org</a>] On Behalf Of </b>Andrew Anderson<br>
<dd>Sent:</b> duminicã, 4 martie 2007 03:59<br>
<dd>To:</b> College and University Technicians<br>
<dd>Subject:</b> Re: [CAUT] Rubenstien Piano<br>
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<dd>As a Sauter dealer, I was in that same exhibit room and happened to
notice the piano (kind of hard not too). The tenor bass is
incredibly clean. He didn't choose to make it snarly like Steinway
goes for. My wife played it and it did have decent sustain and
sound throughout the registers. Definitely in the American tonal
tradition with a much cleaner bass tenor than you usually encounter in an
American piano maybe a little brighter in the treble. The bass is
incredible in the low notes. That low C almost sounds like a big
chopper, it tended to dominate the whole room. <br>
<dd>He is very approachable and it was fun to crawl under the piano and
discuss his belly design. His next project is apparently going to
be an 8' grand piano. He mentioned that a Steinway artist played it
and sniffed that it was weak in the bass (no snarl). Amusing to the
technicians among us--a Steinway would be rather hard pressed to produce
that kind of volume. <br>
<dd><font size=2 color="#0000FF"> ... </font><br><br>
<dd>Andrew Anderson<br><br>
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