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Hi Don<br>
<br>
I understand this much well enough. We've been through para several
times through the years. I just was not aware anyone had ever made a
claim that overall sounboard stiffness changes due to seasonal changes
could account for any real significant change. <br>
<br>
Its an interesting thought to be sure... but I think it needs to be
documented just how much change in pitch any given change in
soundboard stiffness can account for.<br>
<br>
Cheers<br>
RicB<br>
<blockquote><br>
<br>
Hi Ric,<br>
<br>
The bridge is not a ridged termination. (coupled motion of piano
strings).<br>
If the rigidity changes with humidity then the string may appear longer
or<br>
shorter thus affecting pitch. Dean Reyburn refers to this effect as
“para<br>
inharmonicity”i.e. Inharmonicity can be different (even sometimes
negative)<br>
than the values calculated by length, diameter and tension because the<br>
bridge and soundboard affect the termination of the string.<br>
<br>
His first efforts to generate tunings relied on measurements of length
and<br>
diameter of strings. The generated tunings were then uploaded via a midi<br>
cable to a SATII. They didn't always “fit” the piano. <br>
<br>
It is also why “stored tunings” don't work well in areas where humidity<br>
changes by more than a few percent.<br>
<br>
I believe that some SAT users have documented inharmonicity tends to
lower<br>
over time when a piano is kept “at pitch” as the strings conform to the<br>
bends in their length at the capo bar and the bridge pins.<br>
<br>
At 12:46 PM 6/10/2007 +0100, you wrote:<br>
>Hi Mike, Andrew... whomever...<br>
><br>
>I am not sure I understand whats being said here. If a string is <br>
>vibrates at a given frequency, how does the degree of stiffness of
the <br>
>board significantly alter this pitch ? Anyone care to explain the <br>
>mechanism for this ?<br>
><br>
>Cheers<br>
>RicB<br>
Regards,<br>
Don Rose, B.Mus., A.M.U.S., A.MUS., R.P.T.<br>
Non calor sed umor est qui nobis incommodat</blockquote>
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