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<p class=MsoNormal><font size=4 color=navy face=Arial><span style='font-size:
14.0pt;font-family:Arial;color:navy'>I am thinking about a research project
hopefully resulting in an article, to get interaction from piano technicians about
&nbsp;such concepts as, &#8220;coupled motion&#8221;&nbsp; &#8220;para
inharmonicity&#8221;, &#8220;longitudinal vibration&#8221; (did you really
understand that article in PTJ?), &#8220;reverse well&#8221;, &#8220;well temperament&#8221;,
and why the 3 string unison is flat from the first string tuned. I forget what
they call that but I have a tuning machine that shows it isn&#8217;t true. </span></font></p>

<p class=MsoNormal><font size=4 color=navy face=Arial><span style='font-size:
14.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=4 color=navy face=Arial><span style='font-size:
14.0pt;font-family:Arial;color:navy'>To understand this article I would to hear
from technicians who do understand it.&nbsp; </span></font></p>

<p class=MsoNormal><u><font size=4 color=blue face=Arial><span
style='font-size:14.0pt;font-family:Arial;color:blue'><a
href="http://www.speech.kth.se/music/5_lectures/weinreic/strings.html">http://www.speech.kth.se/music/5_lectures/weinreic/strings.html</a></span></font></u><u><font
size=4 color=navy face=Arial><span style='font-size:14.0pt;font-family:Arial;
color:navy'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></font></u></p>

<p><font size=3 color=black face="Times New Roman"><span style='font-size:12.0pt'>&#8220;It
is interesting to note parenthetically the rather complicated beat structure in
Figs. 5 and 6, which is not precisely the same for the vibration and the sound.
Presumably, the discrepancy comes from the horizontal modes, which contribute
to the sound but not to the vertical motion.&#8221; &nbsp;</span></font></p>

<p class=MsoNormal><font size=3 color=black face="Times New Roman"><span
style='font-size:12.0pt'>&nbsp;</span></font></p>

<p class=MsoNormal><u><font size=4 color=navy face=Arial><span
style='font-size:14.0pt;font-family:Arial;color:navy'>One glaring issue with
the graphs in above, the data he presents comes 10 seconds after the note
sounds.&nbsp; </span></font></u></p>

<p class=MsoNormal><font size=4 color=navy face=Arial><span style='font-size:
14.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><u><font size=4 color=navy face=Arial><span
style='font-size:14.0pt;font-family:Arial;color:navy'>If a mention of coupled
motion in the above article could you point me to it?&nbsp;&nbsp;What does it
say about the first 3 seconds of sound? &nbsp;</span></font></u></p>

<p class=MsoNormal><u><font size=4 color=navy face=Arial><span
style='font-size:14.0pt;font-family:Arial;color:navy'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My
first impression of the articles was it was an inquiry and suggestion about how
someone might think about how to muddle about trying to synthesize a piano
sound for electronic keyboards. &nbsp;</span></font></u></p>

<p class=MsoNormal><u><font size=4 color=navy face=Arial><span
style='font-size:14.0pt;font-family:Arial;color:navy'><span style='text-decoration:
 none'>&nbsp;</span></span></font></u></p>

<p class=MsoNormal><u><font size=4 color=navy face=Arial><span
style='font-size:14.0pt;font-family:Arial;color:navy'>&nbsp;&nbsp; ---rmoody</span></font></u></p>

<p class=MsoNormal><font size=4 color=navy face=Arial><span style='font-size:
14.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=3 color=black face="Times New Roman"><span
style='font-size:12.0pt'>&nbsp;</span></font></p>

<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma;color:windowtext'>-----Original
Message-----<br>
<b><span style='font-weight:bold'>From:</span></b> caut-bounces@ptg.org
[mailto:caut-bounces@ptg.org] <b><span style='font-weight:bold'>On Behalf Of </span></b>Richard
Brekne<br>
<b><span style='font-weight:bold'>Sent:</span></b> </span></font><font size=2 color=black face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma;
 color:windowtext'>Monday, June 11, 2007</span></font><font size=2 color=black
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma;color:windowtext'>
</span></font><font size=2 color=black face=Tahoma><span style='font-size:10.0pt;
 font-family:Tahoma;color:windowtext'>4:24 AM</span></font><font size=2
color=black face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma;
color:windowtext'><br>
<b><span style='font-weight:bold'>To:</span></b> caut@ptg.org<br>
<b><span style='font-weight:bold'>Subject:</span></b> [CAUT] coupled motion and
other myths</span></font></p>

<p class=MsoNormal style='margin-left:.5in'><font size=3 color=black
face="Times New Roman"><span style='font-size:12.0pt'>&nbsp;</span></font></p>

<p class=MsoNormal style='margin-left:.5in'><font size=3 color=black
face="Times New Roman"><span style='font-size:12.0pt'><br>
If Richard has some kind of topical data, documentation, rationale etc to back
up any of this I would like to of course see it.&nbsp; But I rather doubt it. <br>
<br>
Cheers<br>
RicB</span></font></p>

<p class=MsoNormal style='margin-left:.5in'><font size=3 color=black
face="Times New Roman"><span style='font-size:12.0pt'><br>
<br>
</span></font></p>

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