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Hi Ric.. a couple comments below...<br>
<blockquote><br>
Maybe one the strings had a false beat in it? <br>
</blockquote>
He does mention false beat briefly later on in the paragraph about figs
5 and 6.. so I think he probably would have been obs on this point.<br>
<blockquote><br>
He doesn't write about<br>
talking to a piano technician in setting up his seeming elaborate
laboratory<br>
like observation of piano stings in vibration. Yet some of his
"readings"<br>
might be due to a common phenomena known by technicians, but not<br>
necessarily by Science Phds. It seems in these "studies" the piano
tuner<br>
is rarely mentioned, or if so, very offhandedly. What other authority
is<br>
there in scientific experiments on pianos? <br>
<br>
</blockquote>
This is actually a very good point. Few times are knowledgeable
pianotechs involved in such efforts. Dr. Coleman is a noted
exception.... and there have been others. The point was very much
illustrated to me personally last year in Rochester when I had a chance
to look at Stephen Birkets' computer action model. There was an obvious
error (to a pianotech) in the movement of the jack at escapement...
which he was able to adjust immediately by changing a few parameters.
Cool model tho... and no doubt when finished would be a very valuable
tool for anyone wanting to do / learn about action designing<br>
<blockquote><br>
OK, even if we all don't agree he knows exactly what is going on, the
next<br>
step is replication. Can anyone demonstrate "coupled motion" Aurally,<br>
with tuning machines, only in a lab? Rm<br>
<br>
</blockquote>
I think you could start by very carefully doing the exact same
experiment on say.. middle C. Allow just two strings to vibrate...
insert a felt wedge about 10 seconds into things.... and watch the
display. Tunelab would be probably quite good at showing the results.
I might try it today for fun !<br>
<br>
Cheers<br>
RicB<br>
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