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<DIV dir=ltr align=left><SPAN class=890503919-22092007><FONT
face="Comic Sans MS" color=#000080>As far as I have been able to determine that
refers only to the shoulder hardening/reinforcing that has been common to
Steinway (along with several others) since sometime during the late 1800s. It
does not mean that any chemical hardening was used on the working portion of the
hammer.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=890503919-22092007><FONT
face="Comic Sans MS" color=#000080></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=890503919-22092007><FONT
face="Comic Sans MS" color=#000080>During the mid-1970s I spent a week at the
Steinway factory. During this week I was able to observe just about every step
of the building process at my leisure, including hammer making and installation.
At that time it was not common practice to automatically chemically harden the
hammers. The hammers on those pianos that ended up in their own selection
room may have been chemically hardened--that I wouldn't know about. But the
pianos we received (including Model Ds) showed no evidence of chemical
hardening. And, no, I didn't have them chemically analyzed but they were
reasonably soft and resilient with needles going in smoothly and easily. In
those days replacement hammers came to us without any chemical hardening and
they felt and voiced just like the hammers we were finding in the new
pianos.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=890503919-22092007><FONT
face="Comic Sans MS" color=#000080></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=890503919-22092007><FONT
face="Comic Sans MS" color=#000080>Del</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=890503919-22092007><!-- Converted from text/plain format -->
<P><FONT size=2>Delwin D Fandrich<BR>Piano Design & Manufacturing
Consultant<BR>620 South Tower Avenue<BR>Centralia, Washington 98531
USA<BR>Phone 360.736-7563<BR><<A
href="mailto:fandrich@pianobuilders.com">mailto:fandrich@pianobuilders.com</A>>
</FONT></P></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=890503919-22092007><FONT
face="Comic Sans MS" color=#000080></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=890503919-22092007><FONT
face="Comic Sans MS" color=#000080></FONT></SPAN> </DIV><BR>
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<HR tabIndex=-1>
<FONT face=Tahoma size=2><B>From:</B> caut-bounces@ptg.org
[mailto:caut-bounces@ptg.org] <B>On Behalf Of </B>Chris
Solliday<BR><B>Sent:</B> September 22, 2007 10:32 AM<BR><B>To:</B> College and
University Technicians<BR><B>Subject:</B> Re: [CAUT] S&S Hammers and
lacquer<BR></FONT><BR></DIV>
<DIV></DIV>
<DIV><FONT face=Arial size=2>In fact Steinway has been reinforcing hammers
chemically since at least 1911. It may not have been lacquer per se
but... see the discussion in Piano Tone Building recently edited by Del
Fandrich and available from The Foundation. You've got to go along way to
find hammers with no reinforcement in Steinway's history. As Fred implies
we can learn to work with these hammers, and frankly despite attempts at
conformity and consistency every set from every manufacturer has and always
will be different (such indulgent hyperbole) so you've got to learn to
build tone and knock it down, both brillance and carry.</FONT></DIV>
<DIV><FONT face=Arial size=2>I for one am grateful. If tone weren't such an
issue I wouldn't have as strong a reason to get out of bed in the morning, and
we all know what the absence of that could lead to.</FONT></DIV>
<DIV><FONT face=Arial size=2>Chris Solliday</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=fssturm@unm.edu href="mailto:fssturm@unm.edu">Fred Sturm</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">College and University Technicians</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, September 21, 2007 7:59
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [CAUT] S&S Hammers and
lacquer</DIV>
<DIV><BR></DIV>
<DIV>
<DIV>On Sep 21, 2007, at 12:30 PM, Jeff Tanner wrote:</DIV><BR
class=Apple-interchange-newline>
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<DIV>And so, if hammers were replaced by technicians in the field who
didn't know to, didn't know how to, or chose not to use lacquer or
shellac, this would explain why someone would find hammers from a NY 1920s
D to not contain anything but felt.</DIV>
<DIV><BR class=khtml-block-placeholder></DIV>
<DIV>My question would have to be that if the ideal hammer was one that
did not require lacquer -- if the sound they are looking for really
required a hammer that did not require lacquer, then why spend $1 million
plus <<recently>> on a new hammer press to manufacture hammers
that still require lacquer? How much sense does that make?</DIV>
<DIV><BR class=khtml-block-placeholder></DIV>
<DIV>Why not just call up Renner and say, hey guys, pick up production --
we're switching to your Wurzen hammers because they produce the sound
we've always been searching for?</DIV>
<DIV><BR class=khtml-block-placeholder></DIV>
<DIV>Jeff</DIV></SPAN></BLOCKQUOTE></DIV><BR>
<DIV>Hi Jeff,</DIV>
<DIV><SPAN class=Apple-tab-span style="WHITE-SPACE: pre"></SPAN>I don't
think you can argue that there was a grand design way back when (1920 or
before) to create the Steinway sound via felt impregnated with hardener. I
agree that they have decided today that that is the way they want to go,
without excuses or regrets, but I think they got there slowly. That's what
the history I have been able to gather tells me, regardless of the "official
line" that "they have always been that way." That's why I included the
anecdote about Franz Mohr in my earlier post. Why wouldn't the chief C &
A tech be clued in if this was really a planned company policy? Franz is one
of the most true blue Steinway guys around, and will tell you endlessly what
a perfect instrument it is. So why would he, just a year ago or so, tell me
that the reason they used lacquer in the 60s and 70s was because the hammers
they had those days weren't good enough? It just doesn't add up. </DIV>
<DIV><SPAN class=Apple-tab-span style="WHITE-SPACE: pre"></SPAN>I'm happy
with current policy and production. I can work with it, and lots of pianists
and techs are satisfied, regardless of other arguments. But let's not try to
re-write history. <BR>
<DIV>
<DIV>Regards,</DIV>
<DIV>Fred Sturm</DIV>
<DIV>University of New Mexico</DIV>
<DIV><A href="mailto:fssturm@unm.edu">fssturm@unm.edu</A></DIV>
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