<br><font size=2 face="sans-serif">David,</font>
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<br><font size=2 face="sans-serif">I am in Lincoln, NE and the nearest
rebuilder is southeast of KC...about 3.5 hours! Richard West took
care of this piano for many many years and he and I talk quite a bit. He
says the board and bridges should be replaced, but the head of the piano
dept told me "don't put any money into it and sell it!" Since
it isn't a soloist instrument and only used by orchestras, choirs, etc.,
I may settle somewhere in the middle and replace the action and restring
it. I think I will use Wurzen hammers and Arledge bass strings and
at least get it somewhat respected until we can replace it someday. I
doubt very much that the director would approve much more than that. I
can guarantee he won't approve a total rebuild. I'm hoping this will
light a fire under his seat to increase efforts to get funding for a new
concert instrument. I'm not a big Baldwin fan and have only come
across a couple I would like to have...Some folks really love Baldwins,
but unfortunately, non of the piano faculty or grad students do.</font>
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<br><font size=2 face="sans-serif">We'll see what transpires....</font>
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<br><font size=2 face="sans-serif">Thanks</font>
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<br><font size=2 face="sans-serif">Paul</font>
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<td width=40%><font size=1 face="sans-serif"><b>"David Ilvedson"
<ilvey@sbcglobal.net></b> </font>
<br><font size=1 face="sans-serif">Sent by: caut-bounces@ptg.org</font>
<p><font size=1 face="sans-serif">10/10/2007 06:07 PM</font>
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<div align=center><font size=1 face="sans-serif">Please respond to<br>
ilvey@sbcglobal.net; Please respond to<br>
College and University Technicians <caut@ptg.org></font></div></table>
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<div align=right><font size=1 face="sans-serif">To</font></div>
<td><font size=1 face="sans-serif">caut@ptg.org</font>
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<div align=right><font size=1 face="sans-serif">cc</font></div>
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<div align=right><font size=1 face="sans-serif">Subject</font></div>
<td><font size=1 face="sans-serif">Re: [CAUT] Backfire!!</font></table>
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<br><font size=3>Paul,</font>
<p><font size=3>Have the Baldwin soundboard etc. checked out by the local
rebuilder wizard. Who would that be in your area? Maybe you?
Where are you located? Even if it needs a new soundboard and
you can't get the money together for that, a complete action rebuild will
certainly bring it up to a good rehearsal instrument. Keeping the
D locked up except for concerts can't be bad...Down the road, when funds
become available...rebuild the piano...a first class rebuild will turn
that into a rival for the D, but the D will still get used more...;-]</font>
<p><font size=3>Man, I wish I had your problems..David Ilvedson, RPTPacifica,
CA 94044</font>
<p><font size=3>Original messageFrom: "Paul T Williams" To:
caut@ptg.orgReceived: 10/10/2007 6:41:18 AMSubject: [CAUT] Backfire!! </font>
<p><font size=2 face="sans-serif">Hi List,</font><font size=3> </font><font size=2 face="sans-serif">Have
you ever had one of those days???</font><font size=3> </font><font size=2 face="sans-serif">In
our main concert hall we have a Steinway D and a 1950's Baldwin D. The
Baldwin belongs to the Lied Center for Performing Arts. They are,
but aren't part of the university. This piano has been on "permanent
loan" to the university for many years... Anywho, I commented
to the Music Director that the Baldwin is in dire need of major work (all
original, I think except for stringing) .I asked him to have the manager
of the Lied center to consider investing in it. It needs EVERYTHING! The
manager turns around and gives it to us! He has no budget and doesn't
want it back. We really don't want it and the director is trying
to find funds for a new Steinway (NY or Hamburg). Nobody likes this
piano and faculty pout if they're "forced" to play it. It's
used a lot, but for non-university events held in our hall, so pulling
it out of service for major work would be tricky</font><font size=3> </font><font size=2 face="sans-serif">Questions:</font><font size=3>
</font><font size=2 face="sans-serif">1. Does this piano have potential
to be a great instrument?</font><font size=3> </font><font size=2 face="sans-serif">2.
Is it worth putting thousands of dollars into it? or- might
it be wiser to replace action, restring, etc. just minimal work until funding
magically arrives for a new Steinway?</font><font size=3> </font><font size=2 face="sans-serif">3.
Has anyone else fallen into such a thing?</font><font size=3> </font><font size=2 face="sans-serif">Thanks!</font><font size=3>
</font><font size=2 face="sans-serif">Paul T. Williams RPT</font><font size=3>
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