<div> Thank you, Fred, for your recommendation of our video.  Like the BYU guidelines, in the video we recommended using chaulk.  Our thinking has since "evolved" on this point. In an addendum we send out with every copy of "Non-Traditional Piano Use",  we  recommend that for most people, some kind of low-residue tape may work much better.  Fred, do you use the post-it edge rather than blue Scotch painters tape, or even drafting tape because they are too sticky? Alan Eder </div> <div> </div> <div> </div> -----Original Message----- From: Fred Sturm <fssturm@unm.edu> To: caut <caut@ptg.org> Sent: Tue, 27 Nov 2007 5:55 pm Subject: Re: [CAUT] prepared pianos <div id="AOLMsgPart_0_e3ce3217-e5a0-4260-9962-282a6b6bc57f" style="margin: 0px; font-family: Tahoma,Verdana,Arial,Sans-Serif; font-size: 12px; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);"> <pre style="font-size: 9pt;"><tt>On 11/27/07 3:01 PM, "Kidwell, Ted W" <<a href="mailto:kidwellt@saclink.csus.edu">kidwellt@saclink.csus.edu</a>> wrote: > Has anyone developed cogent guidelines for the use of University pianos for > pieces involving extended techniques, prepared piano, and other non-standard > performances? > > Thanks for the help. > > Ted Kidwell > California State University, Sacramento > > > > I'd recommend purchasing the "Non-Traditional Piano Use" video Alan Eder of Cal Arts made. Email him at <<a href="mailto:ReggaePass@aol.com">ReggaePass@aol.com</a>>. One amendment to the BYU guidelines: Unfortunately, chalk just won't stay on a string for real life node marking use. I advise using a thin strip (1/8" or less) of the adhesive part of a Sticky Note or equivalent. Wrap it around the string and glue to itself. Won't leave a residue, easy to remove afterwards. But you also need to educate the pianists about such things as how to insert a screw between strings, retrieve a dropped object, avoid damper damage, etc. Alan's video does a great job of that kind of thing. I'll also reiterate my comment (several times over the years) that many if not most works using prepared or inside the piano techniques are designed for more or less the equivalent of a Steinway L, and don't work well on a D (or other concert 9'). John Cage (prepared) used an O, George Crumb (general inside the piano techniques) used an L. The geometry involved in getting at strings, nodes, etc makes a B or D (or various other makes' equivalents) not a good choice. Some makes have plate struts that get in the way. IOW, it takes a little planning on the part of the pianist <G>. But a very good case can be made for advising against use of the concert instrument for many of these works, based simply on what piano is best for the music. Regards, Fred Sturm University of New Mexico </tt></pre> </div>  <div class="AOLPromoFooter"> <hr style="margin-top:10px;" /> More new features than ever. Check out the new <a href="http://o.aolcdn.com/cdn.webmail.aol.com/mailtour/aol/en-us/text.htm?ncid=aolcmp00050000000003" target="_blank">AOL Mail</a>! </div>