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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>It can be that the hammers are not a good
match for the board, as it seems to have been in your case. A softer
hammer will help filter out some of the unwanted upper partials that, I assume,
contributed to the “mean” quality. Often, a nasally sound has
to do with lack of resilience in the hammer which influences hammer string
contact time and how the tone develops. Of course soundboard response can’t
be overlooked either. I like to think of tone as having three phases:
attack, development, sustain. The interaction between the hammer and the
soundboard can influence all three phases. For example, a harsh attack
can be a function of a loose board or a too hard hammer but is usually some
combination. A distorted development phase can be a function of a hammer
which is too heavy for the board and sustain problems can be a function of a
board which lacks adequate stiffness (or mass depending on the section) or a
hammer which lacks proper resilience influencing hammer/string contact time, or
both. Whatever the case, matching the hammer to the board with a clear
tonal goal in mind is important. Obviously, voicing gives some wiggle
room but should, in my view, be used mostly for the wiggle and not for the big
shake. Ideally, the hammer should start out pretty close to your tonal
goal and depending on the soundboard response (and string scale) that requirement
will change. </span></font></p>
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<p><font size=2 color=navy face="Times New Roman"><span style='font-size:10.0pt;
color:navy'>David Love</span></font><font size=2 color=navy><span
style='font-size:10.0pt;color:navy'><br>
davidlovepianos@comcast.net<br>
www.davidlovepianos.com</span></font><font color=navy><span style='color:navy'>
</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>On </span></font>Dec 8, 2007 3:46 PM, Barbara Richmond <<a href="mailto:piano57@insightbb.com">piano57@insightbb.com</a>>
wrote:</p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>A model 240 Seiler that I've worked on for years was
very nasally and mean<br>
sounding. I changed to lighter and softer hammers. It sounds a lot
better <br>
and the nasal quality is gone. So what's to blame, the hammers or the<br>
soundboard?<br>
<font color="#888888"><span style='color:#888888'><br>
Barbara Richmond, RPT<br>
near </span></font></span></font><font color="#888888"><span style='color:#888888'>Peoria</span></font><font
color="#888888"><span style='color:#888888'>, </span></font><font
color="#888888"><span style='color:#888888'>Illinois</span></font></p>
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