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<DIV><SPAN class=781493922-28122007><FONT face=Arial color=#0000ff size=2>I
agree with Ed. It's always best to diagnose the problem before attempting
a fix. In this case though I don't see how you can get around replacing
the strings. Both you and your customer saw crushed strings and crushed
strings could be the cause of the problem. The only way to eliminate
crushed strings as the cause of the problem is to switch them out with new
stings. And new strings will almost certainly present a slightly new
voicing so needling the hammers too much before you change strings could get you
into trouble.</FONT></SPAN></DIV>
<DIV><SPAN class=781493922-28122007><FONT face=Arial color=#0000ff
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=781493922-28122007><FONT face=Arial color=#0000ff size=2>I
guess I'm assuming that you have already checked for termination problems,
sympathetic vibrations, and regulation problems.</FONT></SPAN></DIV>
<DIV><SPAN class=781493922-28122007><FONT face=Arial color=#0000ff
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=781493922-28122007><FONT face=Arial color=#0000ff size=2>Mitch
Staples</FONT></SPAN></DIV>
<DIV><SPAN class=781493922-28122007><FONT face=Arial color=#0000ff
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=781493922-28122007><FONT face=Arial color=#0000ff
size=2></FONT></SPAN> </DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
<DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma
size=2>-----Original Message-----<BR><B>From:</B> caut-bounces@ptg.org
[mailto:caut-bounces@ptg.org]<B>On Behalf Of </B>Ed Sutton<BR><B>Sent:</B>
Friday, December 28, 2007 3:19 PM<BR><B>To:</B> College and University
Technicians<BR><B>Subject:</B> Re: [CAUT] bass strings<BR><BR></FONT></DIV>
<DIV><FONT face=Arial size=2>Wim-</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>My preference is to diagnose until I get a real
answer. A customer complained of "hissing" in her new M & H A. As I
tried muted the back scale she said "It's getting better." When I muted
the backscale to the top she said "Now it sounds clean." I didn't hear
it as "hissing," but my ears are 30 years older than hers.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Uneven hammer string contact or hard spots in the
hammers could make odd sounds in the bi-chords. You can mute off one of
the bi-chords and play one at a time and ask if the sound is in the single
string, or if it only happens when you play both together. If it always
happens on the left string, there may be a hammer allignment problem causing
the hammer to strike the string with its edge.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>You could measure the strings and perhaps
find or disprove "crushing."</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>If you find individual odd sounding strings, you
can try loosening them and turning the string. Perhaps some were turned
and not others.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Replacing strings "to make the customer shut up"
is...well, not very good service. But there are many dealers who think that's
a solution.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Ed Sutton</FONT></DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=wimblees@aol.com href="mailto:wimblees@aol.com">Willem Blees</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">caut@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, December 28, 2007 2:52
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [CAUT] bass strings</DIV>
<DIV><BR></DIV><WBR>The owner of the store is willing to put on new strings.
But even if I replace just the few that are bothering him, what happens if
he still doesn't like it? I guess, to answer my own question, it's voicing
time. <BR><BR>
<DIV style="CLEAR: both">Wim<BR><BR>-----Original Message-----<BR>From: Jim
Busby <<A
href="mailto:jim_busby@byu.edu">jim_busby@byu.edu</A>><BR>To: College and
University Technicians <caut@ptg.org><BR>Sent: Fri, 28 Dec 2007 9:18
am<BR>Subject: Re: [CAUT] bass strings<BR><BR></DIV>
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<DIV class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Wim,</SPAN></FONT></DIV>
<DIV class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"></SPAN></FONT> </DIV>
<DIV class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">I’d ask Bruce Clark
(M&H). I’ve watched them at M&H put on a bass string, or set, then
immediately listen to/critique it. If they don’t like what they hear they
make more strings “on the spot” until they do like it. I was quite impressed
with their “finickiness”. Bruce is a stickler for a good bass, even though
he still disagrees with Del’s and Ron’s ideas of “backscale”, cantilevers
and such. (go figure)</SPAN></FONT></DIV>
<DIV class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"></SPAN></FONT> </DIV>
<DIV class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Regard,</SPAN></FONT></DIV>
<DIV class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Jim Busby
BYU</SPAN></FONT></DIV>
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style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial"></SPAN></FONT> </DIV>
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<DIV class=MsoNormal><B><FONT face=Tahoma size=2><SPAN
style="FONT-WEIGHT: bold; FONT-SIZE: 10pt; FONT-FAMILY: Tahoma">From:</SPAN></FONT></B><FONT
face=Tahoma size=2><SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: Tahoma"> <A
href="mailto:caut-bounces@ptg.org">caut-bounces@ptg.org</A> [<A
href="mailto:caut-bounces@ptg.org?">mailto:caut-bounces@ptg.org</A>]
<B><SPAN style="FONT-WEIGHT: bold">On Behalf Of </SPAN></B>Willem
Blees<BR><B><SPAN style="FONT-WEIGHT: bold">Sent:</SPAN></B> Thursday,
December 27, 2007 3:43 PM<BR><B><SPAN
style="FONT-WEIGHT: bold">To:</SPAN></B> <A
href="mailto:caut@ptg.org">caut@ptg.org</A><BR><B><SPAN
style="FONT-WEIGHT: bold">Subject:</SPAN></B> [CAUT] bass
strings</SPAN></FONT></DIV></DIV>
<DIV class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt"></SPAN></FONT> </DIV>
<DIV class=MsoNormal style="MARGIN-BOTTOM: 12pt"><FONT
face="Times New Roman" size=3><SPAN style="FONT-SIZE: 12pt">A new customer
bought a new M&H AA in August. When I tuned it yesterday, he complained
about some tone problems in the last 7 bass notes, (G2 - B2). I was
able to voice some of the problems away, but a couple of notes still
bothered him. I asked that he play the piano for a while to see if the notes
in question would get better with playing. The apartment in which he
lives is small, and the piano sits next to an open window, which is
very common here. <BR><BR>I don't hear what he is complaining about. So
perhaps it is one of perception, more than actual sound. He noticed that the
winding on some of the strings are a little different than on other strings.
The best way I can describe it is that the windings look like they were
"crushed" ever so slightly. You can see it only when you look at the strings
at an angle, with the light from the window shining on the strings.
<BR><BR>Would that cause the strings to have a different tone?
</SPAN></FONT></DIV>
<DIV>
<DIV class=MsoNormal><FONT face="Times New Roman" size=3><SPAN
style="FONT-SIZE: 12pt">Willem (Wim) Blees, RPT<BR>Piano
Tuner/Technician<BR>Honolulu, HI<BR>Author of <BR>The Business of Piano
Tuning<BR>available from Potter Press<BR><A
href="http://www.pianotuning.com/"
target=_blank>www.pianotuning.com</A></SPAN></FONT></DIV></DIV>
<DIV>
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