<html xmlns:v="urn:schemas-microsoft-com:vml" xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:st1="urn:schemas-microsoft-com:office:smarttags" xmlns="http://www.w3.org/TR/REC-html40"> <head> <meta http-equiv=Content-Type content="text/html; charset=us-ascii"> <meta name=Generator content="Microsoft Word 11 (filtered medium)"> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="State"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="City"/> <o:SmartTagType namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="place"/>  <style>  </style> </head> <body lang=EN-US link=blue vlink=blue> <div class=Section1> Wim,<o:p></o:p> <o:p> </o:p> I’d ask Bruce Clark (M&H). I’ve watched them at M&H put on a bass string, or set, then immediately listen to/critique it. If they don’t like what they hear they make more strings “on the spot” until they do like it. I was quite impressed with their “finickiness”. Bruce is a stickler for a good bass, even though he still disagrees with <st1:State w:st="on"><st1:place w:st="on">Del</st1:place></st1:State>’s and Ron’s ideas of “backscale”, cantilevers and such. (go figure)<o:p></o:p> <o:p> </o:p> Regard,<o:p></o:p> Jim Busby BYU<o:p></o:p> <o:p> </o:p> <div> <div class=MsoNormal align=center style='text-align:center'> <hr size=2 width="100%" align=center tabindex=-1> </div> From: caut-bounces@ptg.org [mailto:caut-bounces@ptg.org] On Behalf Of Willem Blees Sent: Thursday, December 27, 2007 3:43 PM To: caut@ptg.org Subject: [CAUT] bass strings<o:p></o:p> </div> <o:p> </o:p> A new customer bought a new M&H AA in August. When I tuned it yesterday, he complained about some tone problems in the last 7 bass notes, (G2 - B2). I was able to voice some of the problems away, but a couple of notes still bothered him. I asked that he play the piano for a while to see if the notes in question would get better with playing. The apartment in which he lives is small, and the piano sits next to an open window, which is very common here. I don't hear what he is complaining about. So perhaps it is one of perception, more than actual sound. He noticed that the winding on some of the strings are a little different than on other strings. The best way I can describe it is that the windings look like they were "crushed" ever so slightly. You can see it only when you look at the strings at an angle, with the light from the window shining on the strings. Would that cause the strings to have a different tone? <o:p></o:p> <div> Willem (Wim) Blees, RPT Piano Tuner/Technician <st1:place w:st="on"><st1:City w:st="on">Honolulu</st1:City>, <st1:State w:st="on">HI</st1:State></st1:place> Author of The Business of Piano Tuning available from Potter Press www.pianotuning.com<o:p></o:p> </div> <div> <div class=MsoNormal align=center style='margin-top:7.5pt;text-align:center'> <hr size=2 width="100%" align=center> </div> More new features than ever. Check out the new <a href="http://o.aolcdn.com/cdn.webmail.aol.com/mailtour/aol/en-us/text.htm?ncid=aolcmp00050000000003" target="_blank">AOL Mail</a>!<o:p></o:p> </div> </div> </body> </html>