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<DIV><FONT face=Arial size=2>Lacquer and thinner solution is best applied to
concert pianos directly on the crown which will allow the solids to fall into
the area of the hammer that does the striking, above the molding tip, on forte
playing. The rest is as dreamy as little membranes vibrating in the soundboard
to carry resonance. Ron Connors proved this to everyone by cutting away piece
after piece from the shoulders of the hammer felt until only the strike area was
left on the molding. Sounded the same as with the the shoulders on. NOT to
imply that some changes can't be made with needles on the shoulders and even
below but not the power that you are looking for. It's all about building
up the strike point. Hammer polarity is about needling not lacquering.
But that's really a different issue.</FONT></DIV>
<DIV><FONT face=Arial size=2>Chris Solliday</FONT> </DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=itunepiano@aol.com
href="mailto:itunepiano@aol.com">itunepiano@aol.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">caut@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, January 04, 2008 7:06
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> [CAUT] Voicing Steinway D</DIV>
<DIV><BR></DIV><FONT face="Arial, Helvetica, sans-serif">During a 3 day
Concert Prep on a 10 year old D, I added Lacquer to power up the
piano. Lacquer would not soak into the key side of the hammers but
did soak easily into the backcheck side of the hammers. I applied the
lacquer on the lmid shoulders only, not from the side of the hammer. Is
it an accepted voicing technique to lacquer one side of the hammer and not the
other? What are the advantages or
disadvantages? Bob. <BR></FONT>
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