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<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT color=#000080>I was
interested in this thread, so I watched the software developer's demo movie and
read much of their information on this software. I suspect that the
ability to pick out individual notes might not be 100% reliable. A voice
in the choir certainly wouldn't work, but even picking out piano notes within a
chord might be a problem at times.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT
color=#000080></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT color=#000080>All
of the samples shown use Guitar and/or an individual voice with other
instruments. With guitars, the individual strings are very often plucked
separately from the others, making it easier for the software to identify
them. A chord on the piano, especially with the damper pedal in use, might
be a bit difficult for the software - it will have a hard time telling the
difference between chord notes and individual partials. The designers do
not want to separate partials from each other, as when a particular note is
modified, they need the entire note spectrum to change, not just one partial at
a time. So the software is relying on the ability to identify the attack
of the note, which is why I think a chord on the piano could be a
problem.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT
color=#000080></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT color=#000080>I was
thinking that it would be fun to take a piano recording and modify the
temperament throughout the recording! It would then be possible to listen
to the exact same performance, exact same piano, but with different
temperaments.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT
color=#000080></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT color=#000080>I can
see how recording engineers would love this software. It is a professional
tool, and the price is at the professional level.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT
color=#000080></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT color=#000080>Don
Mannino</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=421153516-14032008><FONT
color=#000080></FONT></SPAN> </DIV><BR>
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<FONT face=Tahoma size=2><B>From:</B> caut-bounces@ptg.org
[mailto:caut-bounces@ptg.org] <B>On Behalf Of
</B>JBairdRPT@cs.com<BR><B>Sent:</B> Friday, March 14, 2008 7:16
AM<BR><B>To:</B> CAUT@ptg.org<BR><B>Subject:</B> Re: [CAUT] Development in
audio recording technology<BR></FONT><BR></DIV>
<DIV></DIV><FONT face=arial,helvetica><FONT lang=0 face=Arial size=2
FAMILY="SANSSERIF" PTSIZE="10">----- Original Message -----<BR>From: Ron Berry
<ron@berrypiano.com><BR>Date: Wednesday, March 12, 2008
17:48<BR>Subject: Re: [CAUT] Development in audio recording technology<BR>To:
College and University Technicians <caut@ptg.org><BR><BR>>Now I will
finally be able to fix the choir recordings when only <BR>>the sopranos
<BR>>go flat. <BR><BR>What about fixing the _one_ single soprano who
sings flat, as opposed to the whole section? That may take the next generation
of this technology. In the meantime, here in Illinois, we're still left with
the inelegant solution of having to shoot the offending lady.<BR><BR>John
Baird<BR><BR>On 12 Mar 2008 at 6:50, Kent Swafford wrote:<BR><BR>> <BR>>
Some mornings you get up and find the world has changed. I'm in futureshock if
this is for real: <BR>> the URL describes the ability to manipulate
individual notes within polyphonic audio recordings. <BR>> Unbelievable!
Imagine the transcription possibilities... <A
href="http://tinyurl.com/353trk">http://tinyurl.com/353trk</A> <BR>> Kent
Swafford <BR></BLOCKQUOTE></FONT></FONT></BODY></HTML>