And maybe doing a few tunings on the side!? LOL<br><br>
<div class="gmail_quote">On Sat, Mar 15, 2008 at 12:44 PM, Fred Sturm <<a href="mailto:fssturm@unm.edu">fssturm@unm.edu</a>> wrote:<br>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div style="WORD-WRAP: break-word">
<div>
<div>On Mar 14, 2008, at 10:49 AM, Don Mannino wrote:</div><br>
<blockquote type="cite"><span style="WORD-SPACING: 0px; FONT: 12px Helvetica; TEXT-TRANSFORM: none; COLOR: rgb(0,0,128); TEXT-INDENT: 0px; WHITE-SPACE: normal; LETTER-SPACING: normal; BORDER-COLLAPSE: separate">I was thinking that it would be fun to take a piano recording and modify the temperament throughout the recording! It would then be possible to listen to the exact same performance, exact same piano, but with different temperaments.</span></blockquote>
</div>
<div><br></div>
<div>Far too many things to do, and I'm afraid my top priority is learning new music and polishing old. Not to mention getting the irrigation ditches cleaned out, and the trees pruned, and, and . . .<br>
<div>
<div style="WORD-WRAP: break-word">
<div><br>Regards,</div>
<div>Fred Sturm</div><font color="#888888">
<div>University of New Mexico</div>
<div><a href="mailto:fssturm@unm.edu" target="_blank">fssturm@unm.edu</a></div>
<div><br></div></font></div></div></div></div></blockquote></div><br>