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<DIV>Hi Alan,</DIV>
<DIV> </DIV>
<DIV>Richard asked me some months ago if I might throw some early Steinway grand
stuff at him....how about....</DIV>
<DIV> </DIV>
<DIV>What is "Patent Resonator?"</DIV>
<DIV> </DIV>
<DIV>Theodore Steinway's system of compressing the soundboard at perimeter
points which Steinway used from 1866 through about 1878. It's the first
documented evidence of the deliberate crowning of the soundboard that I've
found, but it may have been effective just because of it's influence
on soundboard impedance. Sometimes the "Patent
Resonator" consisted only of an iron flange at the bass cut-off bar with
bolts turned into the soundboard at the cutoff bar. In the most complete
implementation, it consisted of a double-iron plate (a cage-like single casting
in two planes) from which the soundboard/rim assembly was "hung" and compressed
with a full-perimeter bolt compression system. The latter was on most
uprights from 1866 to 1872, but it can also be found on just 7 prototype grands
built in 1869 (the first, S/N 19434, we found in Belgium and
documented). Through the 1870s Steinway grands and uprights can be
sometimes be found with a treble compressing bolt and bass cutoff-bar
compression bolts. (The upright patent was 1866 under William Steinway's
name...Theodore had just arrived from Germany and couldn't get his name on a
patent.....and the grand was patented in 1869 - by Theodore).</DIV>
<DIV> </DIV>
<DIV>The "Patent Resonator" was very prominent in the catalogs of the time, but
Steinway's "self-compression" system combined with the continuous rim seems to
have completely displaced the concept by the 1880s, never to be heard about
again - until now! </DIV>
<DIV> </DIV>
<DIV>There's also the "Patent Pulsator" - the strip of wood under the
soundboard which is glued across 3 or 5 ribs - every "B" has one, it
can be found on all the "Centennials" - sometimes in two or three places - and
the original patent included an iron or steel bar above the sounboard, fastened
through bolts to the pulsator strip/ribs below - from the patent text this
bar seems to have been an early "mass loader" as well as a structural stiffener
(tying the ribs together for extra strength and possibly to manage
impedance).</DIV>
<DIV> </DIV>
<DIV>Patented in 1878, it can be found on pianos built several years before
the patent....</DIV>
<DIV> </DIV>
<DIV>Finally, there's the "Patent Vibrator" - oh, sorry, that hasn't turned up
in my research yet.</DIV>
<DIV> </DIV>
<DIV>Hope this is helpful! I've got pictures if you'd like.</DIV>
<DIV> </DIV>
<DIV>I've gotta admit, I've become a fan of Tic-Tac-Tooner!</DIV>
<DIV> </DIV>
<DIV>Bill</DIV>
<DIV> </DIV>
<DIV>Bill Shull</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>In a message dated 5/9/2008 6:58:40 A.M. Pacific Daylight Time,
reggaepass@aol.com writes:</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=2><FONT
face="Arial, Helvetica, sans-serif">Greetings,<BR><BR>One of the highpoints at
this year's National Convention will be "Tic-Tac-Tooner." Fashioned
after the Hollywood Squares game show format, this love child of Richard
Davenport and Co. has been presented three times already at California
conventions to great acclaim. (More details are available at thePTG
website.) <BR><BR>Those of us involved in this high production-value
event (and that includes many of PTG's finest) are interested in soliciting
questions from participants on the pianotech and CAUT lists. Questions
can be technical (what is this thingee? How do you do such-and-such?
etc.), historical, trivial...your imagination is the only limitation.
Now, I know from being on these lists many a year now that there are some
disturbingly inquisitive minds out there, so don't be bashful. Please
send your proposed questions to me, and I will forward them to the Executive
Producers for consideration.<BR><BR>See you in Anaheim (or
not!).<BR><BR>Thanks,<BR><BR>Alan Eder, RPT</FONT>
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