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<p class=MsoNormal><span style='color:#1F497D'>Tony:<o:p></o:p></span></p>
<p class=MsoNormal><span style='color:#1F497D'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='color:#1F497D'>I my experience the pianos
subjected to the hardest use are the practice room grands. They have a grueling
life. They need to be as substantially made as possible. Since they are
substantial pianos rebuilding is logical. If you have pianos there with light
rims, light duty key beds etc. when you approach the second or third rebuild
you start to question the foundation. All of our practice room grand pianos
are Steinways – not that they are the only heavy duty pianos – it’s just that’s
what we happen to have. As to tuning, I do all the practice room grands about
every 6 weeks or whenever I walk down that hallway and am embarrassed by what I
hear. Only the performance pianos are tuned more frequently.<o:p></o:p></span></p>
<p class=MsoNormal><span style='color:#1F497D'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='color:#1F497D'>Classroom pianos, while
important, don’t get either the use or the care that practice room pianos get –
at least here.<o:p></o:p></span></p>
<p class=MsoNormal><span style='color:#1F497D'><o:p> </o:p></span></p>
<p class=MsoNormal><span style='color:#1F497D'>dp<o:p></o:p></span></p>
<p class=MsoNormal><span style='color:#1F497D'><o:p> </o:p></span></p>
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<p class=MsoNormal><span style='color:#1F497D'>David M. Porritt, RPT<o:p></o:p></span></p>
<p class=MsoNormal><span style='color:#1F497D'><a href="dporritt@smu.edu"><span
style='color:blue'>dporritt@smu.edu</span></a><o:p></o:p></span></p>
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<p class=MsoNormal><span style='color:#1F497D'><o:p> </o:p></span></p>
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<p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span
style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'> caut-bounces@ptg.org
[mailto:caut-bounces@ptg.org] <b>On Behalf Of </b>tony<br>
<b>Sent:</b> Wednesday, July 02, 2008 6:45 AM<br>
<b>To:</b> College and University Technicians<br>
<b>Subject:</b> Re: [CAUT] University piano replacement program<o:p></o:p></span></p>
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<p class=MsoNormal>Thanks Paul and David,<o:p></o:p></p>
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<p class=MsoNormal> <o:p></o:p></p>
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<p class=MsoNormal>I was assuming the importance of the concert, &
studio instruments. That's a given! <o:p></o:p></p>
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<p class=MsoNormal> <o:p></o:p></p>
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<p class=MsoNormal>What I was getting at, is, if (and I know this might be a
large if) but if we were to submit a plan for total "long term"
replacement (with repair & rebuilding concert instruments) How
important is it to have "High quality" Classroom & Practice
rooms pianos.<o:p></o:p></p>
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<p class=MsoNormal>To cut costs in a replacement program do you feel
"middle priced" Grands or verticals would hold up? (Yamaha,
Kawai, Pramberger, Knabe, etc.) How important is the price range
of these pianos?<o:p></o:p></p>
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<p class=MsoNormal> <o:p></o:p></p>
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<p class=MsoNormal>My experience is the more expensive the piano, the more
delicate it is (more sensitive to humidity changes and less tuning
stability. In a new piano, assuming the pinblock is tight, doesn't the board
move more in a "high quality" piano with a thinner board designed
for better tone? Is that necessary for the Practice room pianos? How
frequently can you get to these pianos to tune them in a year? Doesn't the
care & maintenance of the "Quality" Concert and Studio pianos
constantly change you tuning plans and become priority?<o:p></o:p></p>
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<p class=MsoNormal> <o:p></o:p></p>
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<p class=MsoNormal>Your thoughts please..........and anyone else!<o:p></o:p></p>
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<p class=MsoNormal> <strong><span style='font-size:24.0pt'> Tony
Mastadonna</span></strong> <o:p></o:p></p>
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<p class=MsoNormal><span style='font-size:18.0pt'>Institutional Sales
Consultant</span><o:p></o:p></p>
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<p class=MsoNormal> Cell-330-603-8843<o:p></o:p></p>
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<p class=MsoNormal><i>-------Original Message-------</i><o:p></o:p></p>
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<p class=MsoNormal><b><i><span style='font-size:11.0pt'>From:</span></i></b><span
style='font-size:11.0pt'> <a href="mailto:dporritt@mail.smu.edu">Porritt,
David</a><o:p></o:p></span></p>
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<div>
<p class=MsoNormal><b><i><span style='font-size:11.0pt'>Date:</span></i></b><span
style='font-size:11.0pt'> 7/1/2008 6:58:14 PM<o:p></o:p></span></p>
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<p class=MsoNormal><b><i><span style='font-size:11.0pt'>To:</span></i></b><span
style='font-size:11.0pt'> <a href="mailto:caut@ptg.org">College and
University Technicians</a><o:p></o:p></span></p>
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<div>
<p class=MsoNormal><b><i><span style='font-size:11.0pt'>Subject:</span></i></b><span
style='font-size:11.0pt'> Re: [CAUT] University piano replacement program<o:p></o:p></span></p>
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<p class=MsoNormal> <o:p></o:p></p>
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<p class=MsoNormal><span style='color:#215868'>Paul:</span><o:p></o:p></p>
<p class=MsoNormal><span style='color:#215868'> </span><o:p></o:p></p>
<p class=MsoNormal><span style='color:#215868'>We all have to do whatever our
leaders and our budget will allow but frankly I’d like it if we only bought
new grand pianos if we needed additional instruments. I’ve long been
convinced that full remanufacturing will get you more instrument for less
money than trading them. We had one D redesigned 3 years ago and is in
my view far better than the new ones. We have another out right now
that will be returned just before school starts that………..I’ll let you know
how it does but my prediction is it will blow away any new ones. AND we
will have spent a small fraction of the cost of a new one.</span><o:p></o:p></p>
<p class=MsoNormal><span style='color:#215868'> </span><o:p></o:p></p>
<p class=MsoNormal><span style='color:#215868'>Uprights on the other hand,
I’m trying to get a plan in place that will replace 2 uprights a year in
perpetuity. Uprights are not as cost effective to remanufacture (at
least in my experience) so replacement is the logical course of action.</span><o:p></o:p></p>
<p class=MsoNormal><span style='color:#215868'> </span><o:p></o:p></p>
<p class=MsoNormal><span style='color:#215868'>dave</span><o:p></o:p></p>
<p class=MsoNormal><span style='color:#215868'> </span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.5pt;font-family:Consolas;
color:#215868'> </span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.5pt;font-family:Consolas;
color:#215868'>David M. Porritt, RPT</span><o:p></o:p></p>
<p class=MsoNormal><span style='font-size:10.5pt;font-family:Consolas;
color:#215868'><a href="mailto:dporritt@smu.edu">dporritt@smu.edu</a></span><o:p></o:p></p>
<p class=MsoNormal><span style='color:#215868'> </span><o:p></o:p></p>
<div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in 0in 0in'>
<p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span
style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'> caut-bounces@ptg.org
[mailto:caut-bounces@ptg.org] <b>On Behalf Of </b>Paul T Williams<br>
<b>Sent:</b> Tuesday, July 01, 2008 5:04 PM<br>
<b>To:</b> College and University Technicians<br>
<b>Subject:</b> Re: [CAUT] University piano replacement program</span><o:p></o:p></p>
</div>
<p class=MsoNormal> <o:p></o:p></p>
<p class=MsoNormal style='margin-bottom:12.0pt'><br>
<span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Hi Tony,</span>
<br>
<br>
<span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Realistic
plan replacement at UNL is a hard one to "sell". We have many
Steinway and Mason & Hamilin grands in our practice rooms.
Most of them are 40-80 years old, but with new actions, key bushings,
etc. Replacing them vs. fixing them is the reality of the university
setting. We have to actually see reality in that we can not just replace them
with new pianos even though we would love to do so. Performance pianos, of
course, get the most attention. I am currently replacing an entire
action on a 1956 Baldwin D which, still, will need a new soundboard,
pinblock, and whole nine yards, but we have to spread out the budget the best
we can and this piano is one of our 'concert' instruments. We also have
three Steinway D's much newer and in excellent condition. Every school
has it's own budget and by what Ive seen, we have a pretty good one, but
still not what would be considered "great". The really great
schools like Oberlin, Julliard, etc probably have a great replacement program
as they are recognized as world famous. For the main-stream university
programs, I would say that they only replace pianos when they just can't be
worth the investment. I regularly tune repair etc these
instruments as they are played 12-14 hours a day. Now with summer here,
I have a chance to get in an try to fix the ongoing problems with certain
pianos, but still have no time to rebuild them.</span> <br>
<br>
<span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Does this
help??</span> <br>
<br>
<span style='font-size:10.0pt;font-family:"Arial","sans-serif"'>Paul</span> <br>
<br>
<br>
<br>
<br>
<o:p></o:p></p>
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<p class=MsoNormal><b><span style='font-size:7.5pt;font-family:"Arial","sans-serif"'>"tony"
<amastadonna@neo.rr.com></span></b><span style='font-size:7.5pt;
font-family:"Arial","sans-serif"'> </span><br>
<span style='font-size:7.5pt;font-family:"Arial","sans-serif"'>Sent by:
caut-bounces@ptg.org</span> <o:p></o:p></p>
<p><span style='font-size:7.5pt;font-family:"Arial","sans-serif"'>07/01/2008
03:55 PM</span> <o:p></o:p></p>
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<p class=MsoNormal align=center style='text-align:center'><span
style='font-size:7.5pt;font-family:"Arial","sans-serif"'>Please respond
to<br>
College and University Technicians <caut@ptg.org></span><o:p></o:p></p>
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<p class=MsoNormal><span style='font-size:7.5pt;font-family:"Arial","sans-serif"'><caut@ptg.org></span>
<o:p></o:p></p>
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<p class=MsoNormal><span style='font-size:7.5pt;font-family:"Arial","sans-serif"'>[CAUT]
University piano replacement program</span><o:p></o:p></p>
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<p class=MsoNormal><span style='font-family:"Arial","sans-serif"'>I have a
question........</span> <br>
<span style='font-family:"Arial","sans-serif"'> </span> <br>
<span style='font-family:"Arial","sans-serif"'>In creating a
"realistic" Piano replacement plan for approval by an university
administration, </span><br>
<span style='font-family:"Arial","sans-serif"'> </span> <br>
<span style='font-family:"Arial","sans-serif"'>What would you recommend the
basic specifications of the practice room pianos be? </span><br>
<span style='font-family:"Arial","sans-serif"'> </span> <br>
<span style='font-family:"Arial","sans-serif"'>How would you compare their
importance to the school verses the studio and performance instruments.</span>
<br>
<span style='font-family:"Arial","sans-serif"'> </span> <br>
<span style='font-family:"Arial","sans-serif"'>If you would need to
"cut" would this be the natural place?</span> <br>
<span style='font-family:"Arial","sans-serif"'> </span> <br>
<span style='font-family:"Arial","sans-serif"'>And how many times a year do
you get to these pianos for tuning?</span> <br>
<span style='font-family:"Arial","sans-serif"'> </span> <br>
<span style='font-family:"Arial","sans-serif"'> </span> <br>
<span style='font-family:"Arial","sans-serif"'> </span> <br>
<img border=0 width=162 height=80 id="_x0000_i1025"
src="cid:image001.gif@01C8DC11.AC773F30"><br>
<b><span style='font-size:24.0pt;font-family:"Arial","sans-serif"'> Tony
Mastadonna</span></b><span style='font-family:"Arial","sans-serif"'> </span><br>
<span style='font-size:18.0pt;font-family:"Arial","sans-serif"'>Institutional
Sales Consultant</span> <br>
<span style='font-family:"Arial","sans-serif"'> </span> <br>
<img border=0 width=322 height=384 id="_x0000_i1026"
src="cid:image002.jpg@01C8DC11.AC773F30"><br>
<span style='font-family:"Arial","sans-serif"'>
Cell-330-603-8843</span> <br>
<span style='font-family:"Arial","sans-serif"'> </span><img
border=0 width=75 height=75 id="_x0000_i1027"
src="cid:image004.gif@01C8DC11.AC773F30"><o:p></o:p></p>
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