<br><font size=2 face="sans-serif">Thanks mucho Alan,</font>
<br>
<br><font size=2 face="sans-serif">This is the info I'm looking for. The
capo to front bearing angle was large enough to file down a bit of the
front bars and now file "up" a bit of the capo. Just 0.5mm
total or so, just enough to get some of the grooves off the bar and front
bars. The angles I think, now, might be closer to "ideal".
I think maybe the best resolve is to average the two schools of thought
and shoot for a 1mm radius with a bit larger (0.02mm in the lower parts
and a bit narrower( or just at 1.0mm) in the high end. You reminded
me of what Steve Brady taught me many years ago when I resurfaced a Bosey
bar that was doing the same thing. Thank you!!</font>
<br>
<br><font size=2 face="sans-serif">Hardening a capo iron is something I
know nothing about, so I may have to just see what happens..This is a practice
piano, so,.....I'm practicing!! :>)</font>
<br>
<br><font size=2 face="sans-serif">Thanks for your reply!</font>
<br>
<br><font size=2 face="sans-serif">Paul</font>
<br>
<br>
<br>
<br>
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<td width=40%><font size=1 face="sans-serif"><b>Alan McCoy <amccoy@mail.ewu.edu></b>
</font>
<br><font size=1 face="sans-serif">Sent by: caut-bounces@ptg.org</font>
<p><font size=1 face="sans-serif">09/10/2008 04:57 PM</font>
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<div align=center><font size=1 face="sans-serif">Please respond to<br>
College and University Technicians <caut@ptg.org></font></div></table>
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<div align=right><font size=1 face="sans-serif">To</font></div>
<td><font size=1 face="sans-serif">"College and University Technicians
<caut@ptg.org>" <caut@ptg.org></font>
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<div align=right><font size=1 face="sans-serif">cc</font></div>
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<div align=right><font size=1 face="sans-serif">Subject</font></div>
<td><font size=1 face="sans-serif">Re: [CAUT] Fw: capo bar reshaping</font></table>
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<br>
<br><tt><font size=2>Hi Paul,<br>
<br>
The email came through the first time. But the issue is a can o worms.
The<br>
proper shape of the capo depends on who you ask. If it is too pointy and
not<br>
hard enough, you quickly get grooves, which gives the capo a too flat<br>
bearing surface. If it is too flat (as it is when grooves have been cut
into<br>
an otherwise sharp profile) then you will probably have noise (string<br>
sizzle) at the capo. Also part of the puzzle is the angle between the string<br>
plane and the duplex segment up to the counterbearing. If it is shallow
it<br>
won't cut grooves as quickly, but it may not terminate the string properly.<br>
If it is steep, there is a tendency for cutting grooves. So what you need
is<br>
a decent counterbearing angle (anywhere from 12 deg to 20 deg though you'll<br>
get arguments aplenty about what's the best angle) and you can get away
with<br>
a shallower angle if the counterbearing segment is shorter (long and shallow<br>
will often give duplex noise especially if the length of that segment<br>
happens to be harmonically related to the speaking length). Also you need<br>
the capo to be properly hardened. And it needs to be profiled to some<br>
radius. Talk to Ed McMorrow and he will advocate a very sharp (0.5mm radius,<br>
I think). While others will advocate more like 1.5mm (about 1/16").
Me? I<br>
use a Stewart MacDonald diamond fret file and file it to probably around
1<br>
to 1.5mm radius. As a rebuilder (of sorts) and somewhat pragmatic I worry<br>
less about the capo itself and more about the counterbearing angle and<br>
length of duplex segment. That is really the only easily changeable part
of<br>
the equation. I know that some will harden the capo, but I don't have that<br>
skill yet. But I do alter the front duplex when I think it will be some<br>
benefit. Just finished grinding off the counterbearing bars of the piano
in<br>
my shop and will replace the bars with half-round brass. The angle won't<br>
change much at all, but the segments will be significantly shorter (less<br>
than 30mm my eyeballs tell me, though I haven't measured yet).<br>
<br>
Like I said, can o worms.<br>
<br>
Alan<br>
<br>
<br>
-- Alan McCoy, RPT<br>
Eastern Washington University<br>
amccoy@mail.ewu.edu<br>
509-359-4627<br>
509-999-9512<br>
<br>
<br>
> From: Paul T Williams <pwilliams4@unlnotes.unl.edu><br>
> Reply-To: "College and University Technicians <caut@ptg.org>"
<caut@ptg.org><br>
> Date: Wed, 10 Sep 2008 12:29:47 -0500<br>
> To: <caut@ptg.org><br>
> Subject: [CAUT] Fw: capo bar reshaping<br>
> <br>
> I'm not sure if this went through yesterday. I'm trying again.<br>
> ----- Forwarded by Paul T Williams/Music/UNL/UNEBR on 09/10/2008 12:28
PM<br>
> -----<br>
> <br>
> Paul T Williams/Music/UNL/UNEBR<br>
> 09/09/2008 01:23 PM<br>
> <br>
> To<br>
> caut@ptg.org<br>
> cc<br>
> <br>
> Subject<br>
> capo bar reshaping<br>
> <br>
> <br>
> <br>
> <br>
> <br>
> Hi List,<br>
> <br>
> I'm working on a plate from a 1926 Steinway M that had been breaking
lots<br>
> of string along the capo. Both sections broke about the same
number of<br>
> strings per semester. Upon pulling the plate and looking carefully
at<br>
> both sections, the top section was really flat (plus grooved and crusty)<br>
> and the lower section was more pointed like we like, but way deeper<br>
> grooved (and just as crusty). So, my conclusion is that both too deep
of<br>
> string groove and too flat a capo surface experience the same amount
of<br>
> string breakage.<br>
> <br>
> Now, I can't remember the width of the "peak" of the capo,
but seem to<br>
> think along the lines of 0.5mm-1.0mm (top to bottom of whole capo)<br>
> <br>
> Is this a bit too sharp? Could someone please remind me the
proper<br>
> "shape" before I begin filing? Do all the string grooves
need to be 100%<br>
> gone?<br>
> <br>
> Thanks for the input!<br>
> <br>
> Paul<br>
<br>
<br>
</font></tt>
<br>