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<div><span> Del<br>
Ok... An explanation is a great thing. Thanks, good to know you had your reasons.<br>
It is easy for me to imagine that due to wear and age these original hammers perhaps weighed 3 to 5 tenths of gram more than they do when they ere new. If so, then the weights proposed in the right hand column,which, are not cast in stone, are, conceivably within 1/2 to 1 gram of original weight, which, is not a huge increase. <br>
If the weights in the right hand column from note 40 thru the top were decreased only 1/2 a gram and the original increased by the same amount then the difference is so close as to be a non issue. Take the old weight in the column below and add .5 tenths of a gram for wear and drying over time/whatever. Now the values for the originals are in the left and the proposed on the right.<br>
4---.- 8.9 <font color="purple">8.4</font> would keep note 4 and 16 at this weight <br>
16.----8.5 <font color="purple">8.0</font><br>
28----7.0 7.1<br>
40----6.4 7.0 <br>
52.---5.76 6.0<br>
64---5.5 5.5<br>
76---4.1 4.5<br>
88.--3.7 4.0<br>
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The original purpose of my post was to tell Richard he can indeed get hammers made as light as old Steinway/Mason/Baldwin. I made a comment of personal preference based on the sound of a slightly heavier hammer. I do have a good reason. The modest boost in weight increases, string contact time and the sound is darker which I like. A bit more power and dynamic range. Also with original hammer weight this light I'd expect the sound may be a bit thin. Reasonable leading can still be attained <br>
So are saying that you routinely install hammers this light? As light as the original weights?<br>
Certainly one wouldn't reduce the weights of these original hammers when replacing them. (ok, may be one someone would).<br>
My point is, the gram weight of the original hammers used as an example here are sitting on the bottom of what most will consider a reasonable hammer weight. Certainly a hammer with this weight on a scale of one to ten would be characterized as light, so your remonstration to me seemed a bit contrarian.<br>
Enough said<br>
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<div style="font-family: arial,helvetica; font-size: 10pt; color: black;"><b><font color="indigo" size="1"><font face="Comic Sans MS, sans-serif"><font size="2">Dale S. Erwin<br>
</font></font><font face="Comic Sans MS, sans-serif"><font size="2"><font size="1">www.Erwinspiano.com</font></font><br>
<font size="1">Ronsen Piano hammers<br>
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Original Message-----<br>
From: Delwin D Fandrich <del@fandrichpiano.com><br>
To: caut@ptg.org<br>
Sent: Tue, Mar 1, 2011 10:30 am<br>
Subject: Re: [CAUT] Fwd: Steinway sound-Hammer weights<br>
<br>
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<div class="MsoNormal"><span style="font-size: 11pt; font-family: "Comic Sans MS"; color: navy;">I’m not intentionally picking on you—I take issue with a lot of what a lot of people write I just usually don’t bother to respond. Here I am wondering why you think it would be ridiculous to use hammers with weights approximating the originals. That’s a pretty strong statement and I figure you must have a good reason for making it. I’d like to learn more about what that reason might be.</span></div>
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<div class="MsoNormal"><span style="font-size: 11pt; font-family: "Comic Sans MS"; color: navy;">Were I putting hammers on this piano their numbers across the scale would be pretty close to the “before” set. But I was looking at the numbers for the upper tenor and treble hammers in particular. More mass in upper end hammers tends to create more “hammer knock” and less musical tone. Lower down hammer knock is a non-issue and other factors take over; the softer hammers I prefer must have less mass or they can sound some dull; get some of the mass out and the piano comes alive. But there is some leeway. Up in the high tenor and treble, however, hammer mass is much more critical and excessive mass is a real negative. Those hammers need to be able to get away from the strings fast; heavier hammers can’t do that.</span></div>
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<div class="MsoNormal"><span style="font-size: 11pt; font-family: "Comic Sans MS"; color: navy;">I recently looked at a still-under-warranty 7’ grand (approximately) that was then on its second set of factory hammers. In both cases—first the originals, and now the replacements—the hammers in the upper tenor and treble were more massive than they should have been. The voice in the upper third of the compass is “knocky” and both harsh and dull at the same time. (Pretty much like the voice of the originals.) While some folks might want the harsh, distorted sound coming from these hammers and this piano the owner does not. </span></div>
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<div class="MsoNormal"><span style="font-size: 11pt; font-family: "Comic Sans MS"; color: navy;">The voicers (both factory and local) were in the process of “shaping” them and “juicing them up.” This, of course, has been making the problem worse, not better. The upper end hammers are too heavy. And now, with their increasingly blunt shape and the added lacquer they don’t have much bounce left in them; they are not getting away from the strings fast enough. Lacquering them more—even saturating them with the stuff!—will not alter this. The only solution is to get some of the mass out of them and give them back the resiliency that they need to do their jobs. My recommendation was (is) to replace the hammers with something other than those supplied by the factory but that’s an idea that will never fly. So the cycle will repeat itself until the owner gets fed up with the piano and replaces it with another brand. Too bad, it’s fundamentally a good piano.</span></div>
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<div class="MsoNormal"><span style="font-size: 11pt; font-family: "Comic Sans MS"; color: navy;">Anyway, there are good reasons why those early hammers worked so well. One of these being that there was not a lot of mass involved. </span></div>
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<div class="MsoNormal" style="margin-left: 36pt;"><b><span style="font-size: 10pt; font-family: "Tahoma","sans-serif";">From:</span></b><span style="font-size: 10pt; font-family: "Tahoma","sans-serif";"> <a href="mailto:caut-bounces@ptg.org">caut-bounces@ptg.org</a> [<a href="mailto:caut-bounces@ptg.org?">mailto:caut-bounces@ptg.org</a>] <b>On Behalf Of </b>Dale Erwin<br>
<b>Sent:</b> Tuesday, March 01, 2011 8:08 AM<br>
<b>To:</b> <a href="mailto:caut@ptg.org">caut@ptg.org</a><br>
<b>Subject:</b> Re: [CAUT] Fwd: Steinway sound-Hammer weights</span></div>
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<div class="MsoNormal" style="margin-left: 36pt;"><span style="font-size: 10pt; font-family: "Comic Sans MS"; color: black;">Ok, It does seem that frequently you take issue with things I say..... so show me some numbers that look good to you Del.<br>
Personally,...I like the sound of a bit more weight.</span></div>
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<div class="MsoNormal" style="margin-right: 0cm; margin-bottom: 12pt; margin-left: 36pt;"><b><span style="font-size: 10pt; font-family: "Comic Sans MS"; color: indigo;">Dale S. Erwin<br>
</span></b><b><span style="font-size: 7.5pt; font-family: "Comic Sans MS"; color: indigo;"><a target="_blank" href="http://www.Erwinspiano.com"><span style="color: windowtext;">www.Erwinspiano.com</span></a><br>
Custom restoration<br>
Ronsen Piano hammers<br>
Join the Weickert felt Revolution<br>
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<div class="MsoNormal" style="margin-right: 0cm; margin-bottom: 12pt; margin-left: 36pt;"><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;">-----Original Message-----<br>
From: Delwin D Fandrich <<a href="mailto:del@fandrichpiano.com">del@fandrichpiano.com</a>><br>
To: <a href="mailto:caut@ptg.org">caut@ptg.org</a><br>
Sent: Tue, Mar 1, 2011 7:42 am<br>
Subject: Re: [CAUT] Fwd: Steinway sound-Hammer weights</span></div>
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<div class="MsoNormal" style="margin-left: 36pt;"><span style="font-size: 11pt; font-family: "Comic Sans MS"; color: navy;">I’m curious; you say you would not go “that light. It’s ridiculous.” Why ridiculous? I’ve not found it to be ridiculous at all.</span><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;"></span></div>
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<div class="MsoNormal" style="margin-left: 36pt;"><span style="font-size: 10pt; font-family: "Comic Sans MS"; color: rgb(99, 36, 35);">Delwin D Fandrich</span><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;"></span></div>
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<div class="MsoNormal" style="margin-left: 36pt;"><span style="font-size: 10pt; font-family: "Comic Sans MS"; color: rgb(99, 36, 35);">620 South Tower Avenue</span><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;"></span></div>
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<div class="MsoNormal" style="margin-left: 36pt;"><span style="font-size: 10pt; font-family: "Comic Sans MS"; color: rgb(99, 36, 35);">Centralia, Washington 98531 USA</span><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;"></span></div>
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<div class="MsoNormal" style="margin-left: 36pt;"><span style="font-size: 10pt; font-family: "Comic Sans MS"; color: rgb(99, 36, 35);"><a href="mailto:del@fandrichpiano.com"><u><span style="color: blue;">del@fandrichpiano.com</span></u></a></span><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;"></span></div>
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</span><span style="font-size: 10pt; font-family: "Comic Sans MS"; color: rgb(99, 36, 35);">Phone 360.736.7563</span><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;"></span></div>
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<div class="MsoNormal" style="margin-left: 36pt;"><b><span style="font-size: 10pt; font-family: "Tahoma","sans-serif"; color: black;">From:</span></b><span style="font-size: 10pt; font-family: "Tahoma","sans-serif"; color: black;"> <a href="mailto:caut-bounces@ptg.org"><u><span style="color: blue;">caut-bounces@ptg.org</span></u></a> [<a href="mailto:caut-bounces@ptg.org?"><u><span style="color: blue;">mailto:caut-bounces@ptg.org</span></u></a>] <b>On Behalf Of </b>Dale Erwin<br>
<b>Sent:</b> Monday, February 28, 2011 11:30 PM<br>
<b>To:</b> <a href="mailto:caut@ptg.org"><u><span style="color: blue;">caut@ptg.org</span></u></a><br>
<b>Subject:</b> [CAUT] Fwd: Steinway sound-Hammer weights</span><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;"></span></div>
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<div class="MsoNormal" style="margin-left: 36pt;"><span style="font-size: 10pt; font-family: "Comic Sans MS"; color: black;"> My goal weight on the extreme right is what I would choose to install on this piano with the high ratio, high velocity system in this piano. I would not go that light. Its ridiculous. This action has action ratio issues so we are moving the knuckle out to handle ta bit more hammer weight and removing some lead.<br>
I separated the molding from an original treble hammer. 2.26 grams. Very light. Prepping this set of raw Ronsen hammers will be quite easy to take 1 & 1/2 ish grams off in the bass and 1 in the tenor treble to make the weight listed at the left. So Ihope this has answered your question as to weather modern hammer made the old fashioned way is available for the original model of action prevalent in Pre-war Steinways</span><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;"></span></div>
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<div class="MsoNormal" style="margin-right: 0cm; margin-bottom: 12pt; margin-left: 36pt;"><b><span style="font-size: 10pt; font-family: "Comic Sans MS"; color: indigo;">Dale S. Erwin<br>
</span></b><b><span style="font-size: 7.5pt; font-family: "Comic Sans MS"; color: indigo;"><a target="_blank" href="http://www.Erwinspiano.com"><u><span style="color: blue;">www.Erwinspiano.com</span></u></a></span></b><span style="font-size: 10pt; font-family: "Arial","sans-serif"; color: black;"></span></div>
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