<table cellspacing="0" cellpadding="0" border="0"><tr><td valign="top" style="font: inherit;"><div>If they are P22&#39;s made at the Georgia plant, you should expect some VERY tight pins.<br />Thumpe</div></td></tr></table>            <div id="_origMsg_">
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                                <span style="font-weight:bold;">From:</span>
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                            Ed Foote &lt;a440a@aol.com&gt;;                            <br>
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                                <span style="font-weight:bold:">To:</span>
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                             &lt;caut@ptg.org&gt;;                                                                                                     <br>
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                                <span style="font-weight:bold:">Subject:</span>
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                            Re: [CAUT] Yamaha Exchange program; pros, cons                            <br>
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                                <span style="font-weight:bold;">Sent:</span>
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                            Fri, Jun 8, 2012 9:51:58 AM                            <br>
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                                        <td valign="top" style="font:inherit;"><font color='black' size='2' face='Georgia, Times New Roman, Times, Serif'><font class="Apple-style-span" size="2" style="font-family:Georgia, Times, serif;">Greetings,&nbsp;</font>
<div style="font-family:Georgia, Times, serif;"><font class="Apple-style-span" size="2">&nbsp; &nbsp; The Blair School has some P22&#39;s that were purchased in the late 1960&#39;s. &nbsp;They are still in use, and they are still performing trouble free. &nbsp;These are practice room pianos, and they have just,in the last 5 years, run out of &nbsp;hammers and key bushings. &nbsp; Things like dampers, pinning, pinblocks, bridges, trapwork are still doing fine. &nbsp; I am amazed at their durability. &nbsp;Maybe they think they are Acrosonics, I don&#39;t know.&nbsp;</font></div>

<div style="font-family:Georgia, Times, serif;"><font class="Apple-style-span" size="2">&nbsp; &nbsp; As far as grands, the C3 was the better choice for us, around the school. &nbsp;Bean counters somehow managed to be sold a number of C2&#39;s in the mix, and now, 10 years later, the C2 pianos are obviously the more worn, plus a far greater amount of string breakage than the C3. &nbsp;I don&#39;t why, but perhaps a scaling thing? &nbsp;We have strings break all over school, even in some new Steinways, so it isn&#39;t specific to the brand.&nbsp;</font></div>

<div><font class="Apple-style-span" size="2" style="font-family:Georgia, Times, serif;">&nbsp; &nbsp; The Kawai K-3 models that we also have been buying seem to hold up well, also. &nbsp;I will be curious to see how they handle a decade of digital debauchery , too.&nbsp;</font></div>

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<div style="font-size:13px;clear:both;"><font color="black" face="arial" size="2">Ed Foote RPT<br>
http://www.piano-tuners.org/edfoote/index.html</font></div>
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<div style="font-family:helvetica, arial;font-size:10pt;color:black;">-----Original Message-----<br>
From: Shelley &nbsp;<br>
Subject: Re: [CAUT] Yamaha Exchange program; pros, cons<br>
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<font face="Calibri, Verdana, Helvetica, Arial"><span style="font-size:11pt;">Thanks to all for your comments. &nbsp;Some of which we had thought of and some of which we had not!<br>

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Our dealer has P22’s to send right away. &nbsp;What do you who have experience with them think of them?<br>

Which grands would you recommend? &nbsp;Don’t know if we can get any C5’s. &nbsp;I have a few in my client list and generally love them!<br>

We have plans to buy one of the loaners per year.<br>

<br>

Shelley<br>
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