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<DIV><SPAN class=640454223-21022003><FONT face=Arial color=#0000ff =
size=2>Thanks
for all of the input on string breakage. Fred, I am thinking about =
recent
Yamaha P-202's and Steinway uprights where my unisons were ruined in the =
treble
from going sharp. I do have a hard test blow. I always =
assumed, and
was told, it was flagpoling and capo bearing, etc. I'll be =
looking
at that, especially on these pianos. Thanks to =
all.</FONT></SPAN></DIV>
<DIV><SPAN class=640454223-21022003><FONT face=Arial color=#0000ff =
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=640454223-21022003>
<P><FONT size=2>Lance Lafargue, RPT<BR>Mandeville, LA<BR>New Orleans =
Chapter,
PTG<BR>lancelafargue@bellsouth.net<BR>985.72P.IANO</FONT> =
</P></SPAN></DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
<DIV class=OutlookMessageHeader dir=ltr align=left><FONT =
face=Tahoma
size=2>-----Original Message-----<BR><B>From:</B> =
caut-bounces@ptg.org
[mailto:caut-bounces@ptg.org]<B>On Behalf Of </B>Fred S. =
Sturm<BR><B>Sent:</B>
Thursday, February 20, 2003 3:27 PM<BR><B>To:</B> College and =
University
Technicians<BR><B>Subject:</B> Re: String breakage, drifting
sharp<BR><BR></FONT></DIV> When I first got the =
"sharp test
blow" religion, maybe 15 years ago, I tried it out on a concert grand. =
Boy,
was I impressed by how far those high treble notes were falling. I was =
sure
that I had always left the piano _way_ unstable. Got done with the =
tuning and
checked it out, and was shocked to find that the top two octaves had =
drifted
considerably sharp, and the unisons I had sweated so much over were =
gone, too.
<BR> More recently, since using an ETD, I have often =
noted,
mostly in the top half octave, that notes will be consistently a =
couple cents
sharp. A few not so terribly hard blows and they come right down to =
pitch.
Then, the day after or a week after or whenever I next see the piano, =
I find
the same phenomenon. <BR> Stability is a very =
amorphous
thing. Of course, it depends a lot on how much friction there is in =
the capo
(or often between string and felt in the agraffe section). I don't =
think it's
possible to leave a piano in such a stable tuning condition that =
"savagely
hard" playing won't have an effect. Not that I don't keep trying. =
<BR>Regards,
<BR>Fred Sturm <BR>University of New Mexico
<P>Mark Cramer wrote: <BR>>snip<
<BLOCKQUOTE TYPE="CITE"><SPAN class=250221919-20022003><FONT
face=Arial><FONT size=-1>BTW, after the tendonitis, I used a =
striker for a
while, still with a good blow. Though easier on the body parts, but =
found
the capo sections would tend to drift sharp, and this is a =
discussion in
itself.</FONT></FONT></SPAN>>snip<<SPAN =
class=250221919-20022003><FONT
face=Arial><FONT size=-1>Mark Cramer,</FONT></FONT></SPAN><SPAN
class=250221919-20022003><FONT face=Arial><FONT =
size=-1>Brandon
=
University</FONT></FONT></SPAN></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>