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<DIV><FONT size=2>I did the same, on a 30-year-old C3 at a =
college, used
daily as a teaching and performance piano, and apparently having =
received little
maintenance during that time. It pinged painfully =
throughout,
especially octaves 5 & 6. In a performance with a string =
quartet, it
sounded like a banjo.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>Reshaping removed about two layers of felt along =
with the
string grooves, but made little difference in tone. A few drops of =
vodka
at the strike points, and suddenly it was a piano again, with a full =
range of
partials at softer-than-forte play.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>I was taught that the hammers should be allowed to =
dry before
playing (to avoid packing the felt back down). Is this how you do =
it,
Susan?</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>--Cy--</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=skline@peak.org href="mailto:skline@peak.org">Susan =
Kline</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">College and University Technicians</A> =
</DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, January 06, 2006 =
11:30
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [CAUT] =
Alcohol/water on
Yamaha hammers</DIV>
<DIV><FONT size=2></FONT><BR></DIV>
<DIV>After filing the hammers to a better shape, I used alcohol on the =
<BR>strike points in the sections which were harsher than I could
<BR>tolerate. When I say I used alcohol (with water, to 100 proof) I =
mean
<BR>that I used a few drops per hammer directly into the string =
grooves <BR>in
the tenor, tapering to one small drop on each hammer in the top =
<BR>octave.
</DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT =
size=2><snip></FONT></DIV></BLOCKQUOTE></BODY></HTML>