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<DIV><FONT size=2>I've been studying piano technology for ten years, =
on and off
(I've passed the RPT written exam), and have been tuning professionally =
for a
year and a half. I've applied to North Bennet St. for this
fall.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>I was just asked to take care of an S&S D for a =
local
community college. It's 1917 vintage (played by Rachmaninoff at =
one
time!), and rebuilt by Steinway about ten years ago. It's =
suffering from
humidity damage: 8" crack in the soundboard behind and under the treble =
bridge
and elsewhere, false beats in the low tenor (loose bridge pins?), and =
loose
tuning pins in the bass. One or two are so loose I was tempted to =
mute
them, for fear they wouldn't survive a concert.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>Of the needed repairs, the only one's I'm qualified =
to do are
to CA the loose pins, which I've done successfully three times =
previously.
I'll happily do this on someone's no-name, 100-year-old, 4'8" neonatal =
grand
with rusty strings, but I want to ask for advice before doing anything
irreversible to an instrument of this caliber. I can do the repair =
without
side effects, I'm sure (I pull the action and use copious amounts of =
plastic
tarps), but still...</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>Is the right thing to do to simply write up a report =
and say
that it needs a new pinblock, bridge cap, and at least epoxy in the =
soundboard cracks? Or let Steinway re-evaluate it? Is it =
better to
pull the loose pins and shim with sandpaper or veneer rather than =
risking
CA? Will Steinway scoff if they get a CA'd pinblock to
replace?</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>Side note: it has a disassembled DC system...
sigh...</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>--Cy Shuster--</FONT></DIV>
<DIV><FONT size=2>Bluefield, WV</FONT></DIV>
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