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<DIV><FONT face=Arial size=2>David,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Too many questions! I've =
asked some of
them, but haven't had responses.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Actually, I was pleased to see the =
suggestion of
doing the pitch change in advance--I had already told the management =
that that
would be the case. Our D is a son of a gun to tune (pins =
riding
on the plate, lots of stiction, etc.-- and yes, the request for a new =
pinblock
has been made). Just tuning it is hair raising enough, never mind =
throwing
in a pitch change. I seem to be the only person around who can get =
it to
stay in tune--I attribute this to my superior hammer technique =
(coughing/choking
fit) and wearing my lucky socks (the real secret to successful piano =
tuning).
:-)</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I have a house full of company right =
now and must
be a polite hostess, so I'll try to find a time to write
later.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Barbara Richmond</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=ltr
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=davidskolnik@optonline.net
href="mailto:davidskolnik@optonline.net">David Skolnik</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">College and University Technicians</A> =
</DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, August 06, 2005 =
9:46
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [CAUT] stand-by =
& pitch
change charges</DIV>
<DIV><BR></DIV>Barbara -<BR>Basically, everything you've gotten is =
good
advice, especially, if possible, doing the pitch change in =
advance. Out
of curiosity, exactly what pitch has been requested, and do you know =
if the
repertoire entails orchestral or solo piano? Out of even more =
curiosity,
at what pitch do you generally maintain the piano at that time =
of year?
When will you have last tuned the piano prior to this =
engagement? What's
the humidity control in the hall like? How much, if any, do you =
need to
lower pitch for the beginning of the concert season? Oh, so many
questions!<BR><BR>Jon amended his initial response to allow for the
possibility that they may, in fact, not be rehearsing at all. In =
fact,
they requested the tuning <I><U>within</U></I> 6 hours of performance, =
not to
be <I><U>finished by </U></I>6 hours before. If you were =
to
<I>pre-raise </I>the pitch, you could come in, maybe 2 to 3 hours =
before the
"call" time, and you would not be dealing with standby at all.
Otherwise, In theory, you could come in at 8:00am and wait around all =
day, and
that would be <I>mucho</I> stand-by. $$$ :)<BR><BR>A =
question
begs: what is the purpose of your stand-bying? If =
it's
waiting for the approval of whomever, well, what time are they coming =
In? And
what are you supposed to do if there's a problem if the "sign-off" =
time
coincides with "call" time or "house open" time? duh.<BR><BR>As =
has been
said, you need to be paid for your time. If you live across the =
street
from the hall, you can afford to be a little flexible on the "leaving =
and
coming back" scenario. Otherwise, unless there's time to =
fit in
some other work, that's not particularly satisfactory.<BR><BR>Can't =
believe we
have to wait until December to hear how this one =
resolves.<BR><BR>David
Skolnik<BR><BR><BR><BR></BLOCKQUOTE></BODY></HTML>