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At 09:32 AM 3/21/2003 -0700, you wrote:<br>
<blockquote type=cite class=cite cite><font face="arial" size=2>List:</font><br>
<font face="arial" size=2>I am the contract tech at Mesa State College in
Grand Junction, CO. We have a new 280 seat recital hall that has a very
bright lively acoustic and is easily overdriven by vocals and
instrumentals. I'm having a "dickens" of a time keeping
the Yamaha CFIII (circa 1987) with Yamaha hammers voiced down fairly
mellow yet articulate to please the pianists. They want lots of
color with projection, but not too loud. The piano gets used for
solos and accompanying small ensembles and vocals.</font><br>
<SNIP> <br>
<font face="arial" size=2>Tom Merrill</font><br>
<font face="arial" size=2>Grand Junction, CO (where minimum wage is a
high paying job)</font></blockquote><font face="arial"><br>
Tom,<br>
Very good voicing advice from the list, don't forget
squeezing. Especially in the upper bass where the "nasal"
syndrome seems to reside. Also, if you still get a lot of sizzle in the
capo, you can use a strip of gaffers tape on the non-speaking space just
in front of the capo, for emergencies. (gaffers won't gum-up the wires)
Extra noise there is almost always from energy that's
"escaping" from the speaking length.<br>
The hall at NMSU has nifty motorized curtains on the side
walls. Custom voicing. The Spencer Theater has super-cool quick-adjusting
baffles and curtains, mainly above the main seating area.<br>
Perhaps it's a good project to investigate for future enhancement of your
new facility.<br><br>
Good luck,<br>
Guy Nichols, RPT<br>
Ft. Stinkin' Desert, NM </font></html>