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Hi Eric,<br>
Instead of
muting the duplex completely, take a dab of white glue about
1/4" in front of the duplex bar. this will not kill the duplex, just
change the pitch, I did this on an A 3 on a older Yamaha CF with nice
results.<br>
Roger<br>
<br>
<br>
<br>
At 01:34 PM 12/05/00 -0400, you wrote: <br>
<br>
<blockquote type=cite cite>We have a S&S 'D' onstage here that was
braided in that tenor section (by whom nobody seems to know). In looking
for more "sparkle" (or something) in the tenor section, I
finally noticed the braiding and removed it. Of course a sympathetic
ringing immediately appeared which I was able to easily track down to one
duplex segment on one note (G#4, I think). I muted off that string
segment and the ringing ceased. The overall improvement was not dramatic
and may well have been imaginary, but removing the braiding did seem to
bring a bit more "life" to the tone.<br>
<br>
<font face="Book Antiqua, Bookman" size=2>~~~~~~~~~~~~~~~~~</font><font =
size=3>
<br>
</font><font face="Tempus Sans ITC" color="#FF0000">Eric Wolfley,=
RPT</font><font color="#000000"> <br>
</font><font face="Tempus Sans ITC" color="#FF0000">Head Piano=
Technician</font><font color="#000000"> <br>
</font><font face="Tempus Sans ITC" color="#FF0000">Cincinnati College=
Conservatory of Music</font><font color="#000000"> <br>
</font><font face="Tempus Sans ITC" color="#FF0000">University of=
Cincinnati</font><font color="#000000"> <br>
</font><font face="Book Antiqua, Bookman" size=2>~~~</font><font=
face="Copperplate Gothic Light" size=2>~~~~~~~~~~~~~~</font><font=
size=3> </font><font size=1>
<ul>
-----Original Message-----</font><font size=3> </font><font size=1><b>
From: </font></b><font size=3> </font><font size=1>Mark Cramer=
[SMTP:cramer@BrandonU.CA]</font><font size=3> </font><font size=1><b>
Sent: </font></b><font size=3> </font><font size=1>Friday, May 12,=
2000 10:14 AM</font><font size=3> </font><font size=1><b>
To: </font></b><font size=3> </font><font size=1>CAUT=
(E-mail)</font><font size=3> </font><font size=1><b>
Subject: </font></b><font size=3>=
</font><font size=1>Overnite relief</font><font size=3> <br>
<br>
</font><font size=2>
End of February I aksed for (overnite) advice on how to deal=
with</font><font size=3> </font><font size=2>
sympathetic ringing in the treble section of our recital hall=
"D." With the</font><font size=3> </font><font size=2>
Egré competition here last week, I finally found time to=
thoroughly</font><font size=3> </font><font size=2>
trouble-shoot the problem. Which is kind of like saying "while=
being chased</font><font size=3> </font><font size=2>
by a doberman, I finally found time to work on my running=
technique!" :>)</font><font size=3> <br>
<br>
</font><font size=2>
The ringing is (was) from the tenor rear duplex section, A3 was=
singing</font><font size=3> </font><font size=2>
along with A5, etc., as I think Newton had suggested. Braiding the=
section</font><font size=3> </font><font size=2>
off solved this problem, without noticeable effect (to my hearing) to=
the</font><font size=3> </font><font size=2>
overall resonance of the piano.</font><font size=3> <br>
<br>
</font><font size=2>
Thanks for all who offered suggestions. Kind of seems a shame to=
silence</font><font size=3> </font><font size=2>
this section of the piano though. It's only doing what it's supposed=
to,</font><font size=3> </font><font size=2>
just perhaps a bit too efficiently.</font><font size=3> <br>
<br>
</font><font size=2>
Mark Cramer</font><font size=3> </font><font size=2>
Brandon University</font><font size=3>
</ul><br>
</blockquote><br>
</font><br>
<div>Roger Jolly</div>
<div>Saskatoon, Canada.</div>
<div>306-665-0213</div>
Fax 652-0505
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