Thanks for getting back to me so quick! I wa=
sn't sure where my email to you went. I'm sorry, I didn't mention any=
regulation problems I had heard, it's just ibeen so long. I think it=
's real cool your into Glenn Miller. I like Glenn Miller too, especia=
lly his last name! See you later! Loren
<br><br>
<div><span class="gmail_quote">On 2/24/06, <b class="gmail_sendername">=
Michelle Stranges</b> <<a href="mailto:stranges@oswego.edu">stranges@o=
swego.edu</a>> wrote:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0=
px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Aww Andy!!<br><br>Thanx for your=
post!<br><br>I'm going to listen to this some more but I don't know if I c=
an ever
<br>get past the double striking I'm hearing all over the place.<br>You did=
n't mention this regulation problem in your post..<br><br>You DID hear that=
too didn't you??<br><br>:o<br><br>Thanx again for your letter!<br><br>
:)<br>michelle<br>On Feb 24, 2006, at 2:45 PM, Andy Rudoff wrote:<br><br>&g=
t; >I *refuse* to believe someone didn't hear this.<br>> ><br>>=
>Especially Glenn.<br>><br>> Michelle,<br>><br>> I am a hug=
e Glenn Gould fan and own just about everything he ever
<br>> recorded.<br>> But many of his recordings are controversial, so=
me because he made<br>> unusual<br>> choices about tempo or style, so=
me because people don't like his<br>> humming.<br>><br>> But the T=
wo and Three Part Inventions is one of the most controversial
<br>> and die hard fans like me know the story. His piano, a =
Steinway known<br>> as "CD 318" had been dropped, ruined. =
; His piano technician told him<br>> it was totaled. Gle=
nn himself fiddled with it and probably didn't
<br>> help the situation. But he insisted on recording the In=
ventions using<br>> that piano. When Columbia released the re=
cording, they included a<br>> sort of apologetic note about the piano no=
ises.<br>><br>
> Thankfully Gould was eventually convinced to give up on that piano.<br=
>> For example, his second (digital) of the Goldberg Variations was<br>&=
gt; on a Yamaha CFIII.<br>><br>> Like many, you'll probably end up ei=
ther loving Gould's style or
<br>> hating it. I don't even hear the humming and other nois=
es anymore,<br>> but then I am a long-time Gould convert.<br>><br>>=
; -andy<br>><br>> _______________________________________________<br>=
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