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Barbara -<br>
Basically, everything you've gotten is good advice, especially, if
possible, doing the pitch change in advance. Out of curiosity,
exactly what pitch has been requested, and do you know if the repertoire
entails orchestral or solo piano? Out of even more curiosity, at
what pitch do you generally maintain the piano at that time of
year? When will you have last tuned the piano prior to this
engagement? What's the humidity control in the hall like? How
much, if any, do you need to lower pitch for the beginning of the concert
season? Oh, so many questions!<br><br>
Jon amended his initial response to allow for the possibility that they
may, in fact, not be rehearsing at all. In fact, they requested the
tuning <i><u>within</u></i> 6 hours of performance, not to be
<i><u>finished by </u></i> 6 hours before. If you were to
<i>pre-raise </i>the pitch, you could come in, maybe 2 to 3 hours before
the "call" time, and you would not be dealing with standby at
all. Otherwise, In theory, you could come in at 8:00am and wait
around all day, and that would be <i>mucho</i> stand-by. $$$
:)<br><br>
A question begs: what is the purpose of your
stand-bying? If it's waiting for the approval of whomever, well,
what time are they coming In? And what are you supposed to do if there's
a problem if the "sign-off" time coincides with
"call" time or "house open" time? duh.<br><br>
As has been said, you need to be paid for your time. If you live
across the street from the hall, you can afford to be a little flexible
on the "leaving and coming back" scenario.
Otherwise, unless there's time to fit in some other work, that's
not particularly satisfactory.<br><br>
Can't believe we have to wait until December to hear how this one
resolves.<br><br>
David Skolnik<br><br>
<br><br>
At 03:36 PM 8/5/2005 -0500, you wrote:<br>
<blockquote type=cite class=cite cite=""><font face="arial" size=2>Howdy
all,<br>
<br>
Just had a note from the director of the big auditorium. A contract
from a big orchestra has come through specifying that the piano be tuned
not more than 6 hours before the concert and "The piano tuner
should remain available and on stand-by until concert start
time."<br>
<br>
What's a fair charge for stand-by? Would it be my normal hourly
fee, even if I'm sitting in the tech office reading a book?
:-)<br>
<br>
Unless I'm planning on staying for the concert for my own enjoyment, I
usually stay until I get the OK from whomever, but it usually isn't long
after I've finished working. At this point I haven't been informed
what the afternoon schedule is. This is the first time I've had
this in a contract ('tis only my second season). Just wondering how
you all handle these things.<br>
<br>
Also, this orchestra has requested something other than 440, so I'm
thinking they should not only pay for bringing the piano up in pitch, but
also taking it back down again. Comments??<br>
<br>
I realize a lot of you on this list are salaried techs, but someone out
there must be servicing additional concert facilities. (Oh, yeah,
I'll be getting to that report after "going to the lake"
season........)<br>
<br>
Thanks,<br>
<br>
Barbara Richmond, RPT</font></blockquote></body>
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