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<DIV>
<DIV>In a message dated 3/17/2005 7:16:19 P.M. Central Standard Time,
fssturm@unm.edu writes:</DIV>
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style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
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=2>3)
Before proceeding, make doubly sure you have spaced the hammers (and adjus=
ted
the una corda stop screw) as near perfectly as possible, by playing each n=
ote
in turn with pedal fully depressed, muting the right two strings with a ru=
bber
mute.</FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
<DIV>Frerd</DIV>
<DIV> </DIV>
<DIV>Thank you for all the advice. I do everything you have suggested. As a
matter of fact, I am going to be teaching a class at the convention on just =
this
subject, (spacing). It's call "Have heat gun, will travel". It about burning=
,
spacing, and traveling hammers. </DIV>
<DIV> </DIV>
<DIV>In regard to the pedaling, as I mentioned, I have never seen a piano pl=
ayer
use the pedal as much as this guy does. I mean, he literally rides the thing=
,
almost as much as the sustain pedal. I don't think I have ever see him NOT u=
se
it, to some degree. </DIV>
<DIV> </DIV>
<DIV>I read a paper once where a pianist, who also rode the pedal a lot, was=
forced to play a recital without the use of the una corda pedal. He had to
adjust his playing style completely, playing expressively. The review stated=
he
never sounded so good. That is why I think this professor thinks he is playi=
ng
expressively, because he pumps the pedal a lot, but I don't hear the nuances=
he
is trying to create. </DIV>
<DIV> </DIV>
<DIV>Wim </DIV></FONT></BODY></HTML>