<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META http-equiv=Content-Type content="text/html; charset=US-ASCII"> <META content="MSHTML 6.00.2900.2523" name=GENERATOR></HEAD> <BODY id=role_body style="FONT-SIZE: 10pt; COLOR: #000000; FONT-FAMILY: = Arial" bottomMargin=7 leftMargin=7 topMargin=7 rightMargin=7><FONT id=rol= e_document face=Arial color=#000000 size=2> <DIV> <DIV>    HI Jason</DIV> <DIV>  SO,what you're saying is if the piano has no power at the keyboard  it can still fill a large hall? Perhaps this hall is acoustic= ally better than the ones I've voiced in.</DIV> <DIV>  Because the  pianist or techns <STRONG><U>do not</U></STRON= G> have a sense of projected power  at the keyboard is why I suggested standing out in the Hall & listening  to some one play it to make t= hat determination. Is that clearer?</DIV> <DIV> I've found that if the piano sounds weak to an artist at the keyb= oard this when they complain.</DIV> <DIV>  Dale</DIV> <DIV> </DIV> <BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><= FONT style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size= =2>On Saturday, January 8, 2005, at 11:21 AM, Erwinspiano@aol.com wrote:<BR><BR>= > Whatever, the thing I learned first was that in order for a D to <BR>> project ,& have color & susutain it must be voiced so that sitting at <BR>> the piano it will  literally Roar at you.<BR><BR>Hi Dale,<BR>My experience is completely the opposite.  I = find that pianists have no <BR>concept of how much more sound is being projecte= d to the audience than <BR>what they are hearing and feeling from the keyboard.<BR><BR>Jeff</FONT></BLOCKQUOTE></DIV> <DIV></DIV> <DIV> </DIV> <DIV> </DIV> <DIV><FONT lang=0 face=Arial size=2 FAMILY="SANSSERIF" PTSIZE="10"= >Erwins Pianos Restorations <BR>4721 Parker Rd.<BR>Modesto, Ca 95357<BR>209-577-8397<BR>Reb= uilt Steinway , Mason &Hamlin Sales<BR>www.Erwinspiano.com</FONT></DIV></FONT></BODY></HTML>