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<DIV>In a message dated 1/10/05 11:32:32 P.M. Central Standard Time,
davidlovepianos@comcast.net writes:</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
FONT
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=2>Until
they read the reviews.<BR><BR>David Love<BR><A
href="mailto:davidlovepianos@comcast.net">davidlovepianos@comcast.net</A=
>
<BR></FONT></BLOCKQUOTE>
<DIV>Are you kidding. Most critics don't know enough to make that judgement.=
All
they know is whether the piano player and the orchestra stayed together.</DI=
V>
<DIV> </DIV>
<DIV>Wim </DIV>
<DIV> </DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
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style="BACKGROUND-COLOR: transparent" face=Arial color=#000000
size=2><BR><BR>... generally a pianist doesnt really give a hoot w=
hat
the piano <BR>sounds like out in the hall, unless they are out there sitti=
ng
in it. <BR>Ok.. I sharpened the point a bit... but its not far from the
truth. A <BR>player has to feel the instrument has just the right
presence on scene.<BR><BR>If he/she feels that, then they are nearly=
always satisifed and either <BR>dont consider the sound out, or just assum=
e it
must be ok.<BR><BR>Cheers<BR>RicB<BR></FONT></BLOCKQUOTE>
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