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<DIV><FONT face=Arial size=2>Barbara, For pitch changes I charge for =
a pitch
correction and a fine tuning, and then unless the next act that can't =
understand
an International Agreement is coming in back to back, I also charge for =
a pitch
correction and a fine tuning to put it back at 440. The pitch raise I do =
before
hand I like to do a day or two ahead of time to see how the instrument =
reacts
and if necessary I'll go over it again the day of the concert. What they =
really
need is stability and guaranteed pitch so give it to them and let =
them pay
for it. BTW this has cost over $800.00 when it falls on a weekend =
and when
it includes "stand by" it has been over $1000.00. And if a =
venue wants
to play with the big boys that's what it can cost. Most venues I =
deal with
have at least learned (quickly) to suggest sticking with the Treaty. and =
some
have absolutely said our piano is A-440Hz and that should be good enough =
for you
traveling acts. I have seen quite a few European orchestras come to =
their senses
and they sounded fine at 440. But for now I would just charge for what =
you do
and let the chips fall. Best of luck, Chris Solliday</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=piano57@insightbb.com =
href="mailto:piano57@insightbb.com">Barbara
Richmond</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">College and University Technicians</A> =
</DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, August 05, 2005 =
11:05
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [CAUT] stand-by =
& pitch
change charges</DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2>Fred, Jon, Avery, =
Alan........</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>It's the hall's piano and it's that =
Pops
orchestra out of Boston as part of a subscription series making a stop =
here in
the corn and soybean fields of Central Illinois. (A nice little
Christmas-time gig to bring out the families.) I already let the =
hall's
director know that there would be an additional charge for the pitch =
change,
but haven't given her an amount yet. Shucks, it's the first =
request I've
had for anything besides 440 since I started tuning 23 years =
ago. How
could that be? I attribute it to clean =
living.....ahem.
:-) I said I'd let her know how I would charge for =
the
stand-by thing. The hall always pays me--how they collect =
or
cover for my services, as you said, is their business. =
Thanks
all, I appreciate the input.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>This is a learning experience for =
both the
management and me. In the past they used the university =
tech, who
didn't charge them (long story) and when he got fed up with the =
piano and
environs, he quit providing service to the =
hall. Then they
used anyone they could get their hands on. New management called =
on me
and I only agreed to do the job if I was allowed to make the piano =
sound and
play better. That's how I ended up rebuilding the action.
I'm training them about real piano care and getting professional =
results. Silly me, I thought my previous experience as =
a
university technician prepared me for this job (ha!). Oh =
yeah,
well, I suppose I did have to train the faculty back then, but things =
ran
smoothly after that. The rules were established and that =
was
that. Here, it seems every group that comes in has its own
rules.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>You may ask, why, Barb, do you know =
the details
about this concert so far in advance? In trying to get the staff =
to
respect my time (making sure I'm available) and to put an end to those =
panicky
last minute requests, I asked that I be contacted every time a
<contract> came through that includes the use of our =
pianos.
Golly, they're doing it!!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Barbara </FONT> <FONT =
face=Arial
size=2>Richmond, RPT</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>----- Original Message ----- </DIV>
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<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=fssturm@unm.edu href="mailto:fssturm@unm.edu">Fred =
Sturm</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">caut</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, August 05, 2005 =
7:39
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [CAUT] stand-by =
&
pitch change charges</DIV>
<DIV><BR></DIV><FONT face=Verdana>Hi =
Barbara,<BR> In
general, I agree with Jon: charge your hourly rate. But that could =
be
negotiable should the contract be amended to say “The tuner will =
return at X
o’clock (say an hour before the concert) to touch up and deal with =
any
problems.” Then it’s a service call. I would think that solution =
would meet
everyone’s approval.<BR> About charging for =
pitch
change back to 440, that’s a complex question. Whose piano? =
What’s the
status of the event? Is the orchestra renting the hall, or the hall
presenting the orchestra? I’d say the policy is the hall’s =
responsibility. I
would advise them, if this is a rental, to charge the orchestra an
additional tuning to bring it back (and for two tunings to get it to =
non-standard pitch and stable). Just tell them the next time they =
have it
tuned, it will need two tunings – that should be sufficient to =
persuade
them. Of course if it is a co-production, or the concert is produced =
by the
venue, it becomes a different kettle of fish. But make sure the =
folks in the
hall know that non-440 means extra tuning in both directions. And =
leave it
to them as to who pays (as long as it isn’t the tuner working for
free).<BR><BR>Regards,<BR>Fred Sturm<BR>University of New Mexico
<BR><BR> <BR>On 8/5/05 2:36 PM, "Barbara Richmond"
<piano57@insightbb.com> wrote:<BR><BR></FONT>
<BLOCKQUOTE><FONT size=2><FONT face=Arial>Howdy =
all,<BR> <BR>Just had
a note from the director of the big auditorium. A contract =
from a
big orchestra has come through specifying that the piano be tuned =
not more
than 6 hours before the concert and "The piano tuner should =
remain
available and on stand-by until concert start =
time."<BR> <BR>What's a
fair charge for stand-by? Would it be my normal hourly fee, =
even if
I'm sitting in the tech office reading a book?
:-)<BR> <BR>Unless I'm planning on staying for the =
concert for
my own enjoyment, I usually stay until I get the OK from whomever, =
but it
usually isn't long after I've finished working. At this =
point I
haven't been informed what the afternoon schedule is. This =
is the
first time I've had this in a contract ('tis only my second =
season).
Just wondering how you all handle these =
things.<BR> <BR>Also,
this orchestra has requested something other than 440, so I'm =
thinking
they should not only pay for bringing the piano up in pitch, but =
also
taking it back down again. Comments??<BR> <BR>I realize =
a lot
of you on this list are salaried techs, but someone out there must =
be
servicing additional concert facilities. (Oh, yeah, I'll be =
getting
to that report after "going to the lake"
season........)<BR> <BR>Thanks,<BR> <BR>Barbara =
Richmond,
RPT<BR></FONT></FONT><FONT =
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