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<a class="moz-txt-link-abbreviated" href="mailto:Wimblees@aol.com">Wimblees@aol.com</a> wrote:<br>
<blockquote cite="midb7.3ed534af.2da9d4f8@aol.com" type="cite">
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<div>In a message dated 4/10/2004 4:53:44 PM Central Standard Time,
<a class="moz-txt-link-abbreviated" href="mailto:phil@philbondi.com">phil@philbondi.com</a> writes:</div>
<blockquote
style="border-left: 2px solid blue; padding-left: 5px; margin-left: 5px;"><font
face="Arial">Wim, do you listen at ppp?</font></blockquote>
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<div>For concert work, I tune at FFF. I get the middle string is in
tune with the SAT, hitting the note at least a dozen times. Then I tune
the outside string by ear, also at FFF, but making sure the SAT has not
moved, again, hitting the note at least a dozen times at FFF for each
string. In other words, the note will have had a workout. </div>
<div> </div>
<div>Comment about maybe be over doing it. I don't believe that to be
the case. We are supposed to make sure the piano will stay in tune
under the most stringent conditions. I don't think the excuse, "I
didn't know you were going to play the piano that loud," is going to
cut it when an artist complains the piano went out of tune before the
end of the first movement. In defense of my method, last year the D at
the university withstood the Rach 3rd with only one string slipping a
couple of cents. That is why I wonder why some strings on some pianos
do, and some don't, and what causes it.</div>
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<div>Wim</div>
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Wim Wim...you didn't answer the question..I didn't ask if you tune at
FFF..I asked if you listen at ppp..why?<br>
<br>
While my tuning style is similar to yours, I find that if I don't
listen at a low volume, I truly don't know what the note sounds like.<br>
<br>
What you're implying is that fff is all there is.. I will disagree if
that's the case.<br>
<br>
Phil Bondi(Fl)<br>
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