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<DIV><FONT face=Arial size=2> While these =
arguments are worth
considering, taken to extreme they would require at least 50 instruments =
to play
the repertoire, or that each performer specialize in a very narrow
repertoire. </FONT></DIV>
<DIV><FONT face=Arial size=2> Meanwhile, in =
order to
satisfy a greater variety of sustaining needs, I'm pleased to announce =
my new
invention: The Historically Adjustable Soundboard Damper! I'll be =
offering
it to all the major manufacturers next week, and look forward to =
international
acclaim.</FONT></DIV>
<DIV><FONT face=Arial size=2> Ed =
S.</FONT> </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=Richard.Brekne@grieg.uib.no
href="mailto:Richard.Brekne@grieg.uib.no">Richard Brekne</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=caut@ptg.org
href="mailto:caut@ptg.org">College and University Technicians</A> =
</DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, March 30, 2003 =
5:30
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Sustain was Re: =
1974 M &
H B</DIV>
<DIV><BR></DIV>Hi Del
<P>Been busy I see :) Just wanted to say that this is the first time =
I've
heard of complaining about too much sustain as well. I dont really =
know much
more about him then he is a harpsichord builder that has a rather =
special
international reputation. He likes old wood. And I guess he makes a =
pretty
fair harpsichord.
<P>I posted this because I thought it was an interesting variant as =
well, and
his argumention likewise.
<P>Cheers <BR>RicB <BR> <BR>
<P>"Barbara J. Fandrich" wrote:
<BLOCKQUOTE TYPE="CITE">
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">A
little off the subject line here, this quote reminded me of =
something I
heard a few weeks back from an eminent harpsichord builder in =
Northern
Europe. Bear in mind the fellow is a piano forte' lover, dislikes =
the
Steinway sound intensly, and in general dislikes the modern piano. =
<P>His point was that this whole sustain issue is misunderstood =
from the
get go. That is to say that there is no need for nearly the =
sustain levels
modern pianos offer, ... that there is virtually no music written =
from any
time period that requires more then half of this sustain =
level.
Never heard that argumentation before.
<P>His position was that older instruments of the modern variant =
sounded
better (read mellow) as they lost some of their power and sustain =
through
the years.</P></BLOCKQUOTE>
<P><FONT size=-1>Your friend must not encounter the same jazz =
pianists that
come our way.... Music evolves.</FONT>
<P><FONT size=-1>This is the first time I've heard of anyone =
complaining
about excessive sustain time. The increasingly hard and harsh sound =
quality
of the modern piano, yes, even the excessively high overall power =
levels
expected from them. But not sustain time. Interesting.</FONT>
<P><FONT size=-1>Del</FONT></P></BLOCKQUOTE>
<P>-- <BR>Richard Brekne <BR>RPT, N.P.T.F. <BR>UiB, Bergen, Norway =
<BR><A
href="mailto:rbrekne@broadpark.no">mailto:rbrekne@broadpark.no</A> =
<BR><A
=
href="http://home.broadpark.no/~rbrekne/ricmain.html">http://home.broad=
park.no/~rbrekne/ricmain.html</A>
<BR> </P></BLOCKQUOTE></BODY></HTML>