Hi Michele,  I remember now, my piano is an old clunker that makes tho= se noises.   I recorded my piano last year, and I found that you = could get rid of those noises depending on where you placed the recording m= icrophone.  Apparently, that recording engineer didn't know that!&nbsp= ; Pianos are a marvelous contraption!  Loren <div>On 2/24/06, = Michelle Stranges <<a href="mailto:stranges@oswego.edu">stranges@o= swego.edu</a>> wrote: <blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0= px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Thanx all so far for your posts = back on this. The whole thing has invaded my mind ever since I had a lis= ten to it last night. (& I couldn't WAIT to tell my fellow piano nerds!!)<= br> :) Still though- I can't wrap my head around WHY something li= ke that would get the "OK"  and be released as such.= (Let alone something with Glenn Gould's name attached to it!) I've seen the movies and the documentaries about him... Have a g= ood weekend! :) michelle On Feb 24, 2006, at 4:27 PM, = Richard Adkins wrote: > According to the bio by Kevin Bazzana, th= at I read recently, Gould > wanted the piano to > play more like a Harpsichord. He wante= d very little or even no > after touch. As you know > this will= affect back-checking, let-off, drop, etc. > > Read the book. K= evin Bazzana "Wonderous Strang:the life and art of > Glenn Gould" > > > Richard _________= ______________________________________ caut list info: <a href="http:/= /www.ptg.org/mailman/listinfo/caut">http://www.ptg.org/mailman/listinfo/cau= t </a> </blockquote></div>